Dreamworks has released a new trailer for its next animated feature, coming to theaters on November 17.
Go behind the scenes of the deep-sea monster movie as Webb explains his narrative and aesthetic choices.
‘Ruby Gillman’ has entered the record books, but not for the right reason.
“A lot of people have a lot of ideas how [Ruby] should be living her life and this journey she goes on is figuring out how she wants to,” says director Kirk DeMicco.
Critics are enjoying ‘Ruby,’ but saying it falls short of two extremely similar films in Pixar’s ‘Luca’ and ‘Turning Red.’
We caught up with director Sean Charmatz in Annecy, who revealed details on the upcoming feature.
Most of the cuts were made to technical roles such as production artist, technical director, and lighter/compositor.
‘Mario’ is making box office history, but this summer’s frontloaded release schedule could be the real litmus test for theatrical animation distribution.
‘Elemental’ will then hit theaters on June 16, with ‘Ruby heading to cinemas on June 30.
‘Trolls Band Together’ director Walt Dorhn and producer Gina Shay tell us what to expect in the franchise’s latest installment.
Director Kirk DeMicco and producer Kelly Cooney Cilella gave us the scoop on the studio’s next theatrical feature.
Two Chinese animated features, ‘Boonie Bears: Guardian Code’ and ‘Deep Sea,’ featured in this week’s top 10 global box office list.
The production crew of “Puss in Boots: The Last Wish” is discussing the craft that went into making the hit film.
After earning 51 nominations and 20 wins last year, Netflix again leads the pack with 50 nominations.
Despite being available to rent now, “Puss in Boots” pulled in more money at the U.S. box office in its fourth weekend than the prior weekend.
‘Puss in Boots’ is now one of the year’s best-reviewed animated features, and a guaranteed awards season contender.
In the battle for American feature animation supremacy, NBCUniversal’s chief takes a shot at struggling competitor Disney.
Soon, everyone will have access to the same rendering software used on ‘The Bad Guys’ and ‘Puss in Boots: The Last Wish.’
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks’s The Bad Guys.