Author Stephen Marche has a problem: he wants to share comics and animated cartoons with his son, but everything is racist. He told the world about his predicament in the most recent issue of the New York Times Magazine. He used the words ‘racism’ and ‘racist’ nine times to describe everything from Asterix to Dumbo to Tintin. Amazingly, Babar gets a pass because, Marche explains, “my son won’t be turned into a more effective colonist by stories of elephants riding elevators.”
Marche seems to lack a fundamental understanding of the cartoon medium, an art form whose essence is rooted in caricature and exaggeration. He finds offensive stereotypes everywhere he looks, including Blue Sky’s Ice Age, DreamWorks’ Madagascar and Pixar’s Monsters, Inc.:
Sulley and Mike, on the way into the office, happen to pass an orange squidlike grocer with a handlebar mustache who kind of talks-a-like-a-this. Perhaps that kind of stereotype is not as gruesome or upsetting as the one in the original Fantasia, but I had the distinct impression, as my son laughed at the scene, that my Italian immigrant grandfather was turning over in his grave.
Asterix gives Marche the biggest headache. As he reads it to his son, he wonders: