In A Year Of Feature Animation Bombs, ‘Playmobil: The Movie’ Might Be The Biggest One Yet
The film opens this weekend in 2,300 North American theaters.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The film opens this weekend in 2,300 North American theaters.
We’re keeping track of who’s winning all the end-of-year accolades in feature animation and vfx.
Animators who worked on the film are sharing their reels online.
A civic group alleges that “Frozen 2” is screening on over 88% of the country’s movie screens.
The Studio Ghibli library will soon be easier than ever to watch in the U.S. and Canada.
Director Jérémy Clapin walks us through the making of his new feature “I Lost My Body.”
Aardman’s latest feature has grossed over $30 million worldwide since its theatrical release in September.
The hybrid film pairs Harrison Ford with a cg dog.
Matt Williames talks us through the special appeal and unprecedented challenges of working on Sergio Pablos’s “Klaus.”
Despite an icy reaction from critics, “Frozen 2” is set for a powerful launch.
An exclusive preview of the art book that accompanies Netflix’s new hand-drawn feature.
In a bizarre interview, Pixar’s president claims that the studio’s current directors will not be “people of their time” in 10 years.
There is fresh uncertainty over how Disney will handle Fox Animation’s feature projects.
The artists behind the sequel have described their creative process in a range of interviews. We’ve compiled their most intriguing comments.
Dreamworks’s sequel to 2016’s “Trolls” features one of the starriest musical casts of any film, period.
“Klaus” brings hand-drawn animation back — but it also pushes it forward. The film’s artists tell Cartoon Brew how they created the film’s unique look.
Paramount will release the third “Spongebob” feature on May 22, 2020.
The redesign has a new feature.
Online trolls forced “Sonic the Hedgehog” to be remade even while it was still being made.
In his debut feature “The Tower,” Grorud draws on personal experience to tell a story of Palestinian refugees that spans five generations.