|
|
|||||||
|
|||||||
|
TAG FOR “Music Videos”February 25, 2009 3:58 pm
A visually impressive Space Invaders-themed music video directed by Reuben Sutherland of Joyrider Films for Röyksopp’s new single “Happy Up Here.” At first glance, I thought it was a mix of live and CG, but upon closer examination, it appears to be almost entirely CG. It’s a fun piece in which the visual elements and cutting perfectly match the energy of song’s beats. February 18, 2009 10:54 am
“My Name is Potato” is an annoying 1977 novelty song by Italian singer Rita Pavone. The animation in the music video is its saving grace. Anybody know who’s responsible for it? (Thanks, Celia) February 18, 2009 1:30 am
A song by the French band Oldelaf & Monsieur D, with animation by Stephanie Marguerite and Emilie Tarascou. February 14, 2009 11:10 am
Music video for Work Day by UK band It Hugs Back. Directed by former Aardman animator Martin Davies, with a behind the scenes photo gallery posted on Flickr. (Thanks, Robert Pisani) February 9, 2009 7:41 am
If Fritz the Cat had been done as an artsy independent animated film, it might look something like “Welcome to the Third World,” an offbeat video directed by Webster Colcord for The Dandy Warhols. It was produced through the now-defunct Orphanage. Artists who worked on the piece inlcude Jan Van Buyten and Eric Kilkenny, as well as a crew of students from DeAnza College and Ex’pression College of Digital Art. (Thanks, Karl Cohen) February 9, 2009 12:05 am
Here’s something different - and a nice way to start the week: French pop star Gregoire’s music video for his new song Rue Des Etoiles. It was directed and created by the Le French Bulldog animation studio. February 5, 2009 4:36 pm
“Mykonos” is a visually mesmerizing paper cut-out music video for Fleet Foxes, directed and animated by Sean Pecknold with artwork by illustrator Jesse Brown. Full video credits, along with a ‘making of’ short can be viewed here. February 3, 2009 12:11 pm
This music video by Japanese artist Kondoh Akino (gallery website in English) constantly surprised me with its playful use of the human form and its strikingly designed movement. As best as I can discern, it appears to be from 2002 and was created when Akino was a student in art school. (Thanks, Susie Wilson and Saschka Unseld)
|