In a sign of changing times, animated programming produced for both Netflix and YouTube has begun to earn a significant number of Emmy Award nominations, competing alongside traditional broadcast and cable series.
Twenty years ago, we had ‘urban’ Looney Tunes merchandise. Today, we have the characters being pasted on top of human bodies.
Last night Adult Swim premiered its first exclusively online animated series “King Star King.” A punk psychedelic space adventure about a He-Man-esque sci-fi figure who works in a waffle restaurant, the show was created by J.J. Villard, a former DreamWorks story artist (“Shrek the Third,” “Monsters Vs. Aliens”) who’s also known for his CalArts student films “Son of Satan” and “Chestnuts Icelolly.”
Today we look at the artwork of Ben Jelter, Cartoon Brew’s Artist of the Day.
DreamWorks Animation’s “How to Train Your Dragon 2” opened in second place this weekend with an estimated $50 million. The film trailed the $60 million debut of another sequel, the R-rated “22 Jump Street,” directed by Phil Lord and Chris Miller, who also directed “The LEGO Movie,” which opened to $69 million earlier this year.
Just in case you were worried that Netflix’s slate of upcoming animated programming was looking a little too Dreamworks heavy, the streaming site has announced plans to launch an updated version of the Scholastic Media educational series “The Magic School Bus.”
Based on Michael Bond’s 1958 children’s book “A Bear Called Paddington,” the live-action/CG hybrid “Paddington” tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
Based on Michael Bond’s 1958 children’s book A Bear Called Paddington, the live-action/CG hybrid Paddington tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
“It’s kind of like “The Lion King” meets “The Avengers,” says Nancy Kanter, general manager of Disney Junior, when describing their upcoming preschool series “The Lion Guard.”
A look at the work of Marion Duclos, Cartoon Brew’s Artist of the Day.
DreamWorks Animation released a trailer today for “Home.” The Tim Johnson-directed film will be released on March 27, 2015.
Poor Garfield. In his heyday, he was amongst the most beloved characters on the funny pages, his plush likenesses fastened to car windows and his sarcastic barbs adorning office walls around the globe. Then, somewhere along the line, he underwent a pop-cultural re-evaluation. Jim Davis’ strip is now something of a pariah: just look at how “The Simpsons” paired it with “Love Is” as the kind of strip that Milhouse reads. What a comedown for a character once hip enough to be quoted in “Two Tribes” by Frankie Goes to Hollywood. But yet, the orange cat has been saved from cultural oblivion by a peculiar trend: the remixed “Garfield” strip.
Disney’s “Feast” debuted yesterday to a raucous packed house at the Annecy International Animation Festival, alongside some never-before-seen clips from the studio’s next feature “Big Hero 6.”
Studio MDHR has delayed their Fleischer-esque videogame Cuphead until 2015, but they just released a new trailer for the gaming show E3 with new footage that is even more impressive (and more Fleischer-y) than the earlier preview.
Foreign animation distributor GKIDS announced yesterday that they have acquired North American rights to the Brazilian film “Boy and the World.”
Peco blazes through the tournament, but his knee begins to act up, leaving his future in question. Only Peco, Smile and Ryuichi remain at the end.
The 24th edition of Animafest Zagreb wrapped up today in Zagreb, Croatia. It is the second-oldest continually running animation festival in Europe, after Annecy. The Grand Prix for short film was awarded to Yumi Joung’s “Love Games.” A complete list of winners is below.
At a flea market in Paris, I discovered this irresistibly awful set of dead-stock pins featuring Walter Lantz characters.
A man has nothing to lose except his dream. To make his dream come true the man embarks on a dangerous journey. But his destination is not what it seems.
At least one DreamWorks animated film has lost money for the past three years in a row: “Rise of the Guardians” in 2012 had an $87 million writedown; “Turbo” in 2013 resulted in a $13.5 million writedown; and this year’s “Mr. Peabody & Sherman” caused a $57 million writedown. This is rather obviously not a sustainable trend from a business standpoint, and investors are beginning to worry about the studio’s long-term prospects.
Directed by Peter Quinn who writes: “I usually sit and watch a few things on Animade or Squeezeme.tv with my first coffee, every morning when I get into work. I’ve pulled out a few ‘showreel tropes’ that hopefully some of you will agree with—and I bet there are plenty I’ve forgotten about… would love to have you input as to commonalities in reels. It’s been an interesting study coming up with this shortlist.”
The world of animation software is dominated by a handful of industry-standard titles. However, the margins are dotted with more specialized pieces of software, often designed for animators who prefer to work outside the demands of studio production. One such program is Animake It, a piece of software that aims to provide an accessible animation experience that ties in with current trends in online content.
While we await the release of Gary Trousdale’s “Rocky & Bullwinkle” short, here’s a new GEICO spot that pairs the Jay Ward duo with the GEICO Gecko.
Nickelodeon has picked up a new series: “The Loud House” by animation veteran Chris Savino. The series is inspired by Savino’s own “chaotic life growing up in a huge household,” and follows a boy named Lincoln who lives at home with his 10 sisters. The concept received a 13-episode greenlight based on the following pilot from the studio’s 2013 Animated Shorts Program.
Sony Pictures Animation today announced that they’ve acquired an original comedy pitch entitled “Medusa” from screenwriter Todd Alcott (“Antz”) and reality TV producer Holly Golden (“Conspiracy Theory with Jesse Ventura”). More interesting: Lauren Faust (“My Little Pony: Friendship is Magic,” “Super Best Friends Forever”) is attached to direct.
Tonight in New York City, two artists who need little introduction—Bill Plympton and Peter de Sève—will discuss their work and artistic process in a discussion moderated by animation director J. J. Sedelmaier.