‘Sing 2’ Reviews Roundup: Songs Eclipse Story In Slick, Frenetic Sequel
How has Illumination’s first film in two and a half years fared with critics?
How has Illumination’s first film in two and a half years fared with critics?
Critics like the film as much as award voters do.
With a 100% Tomatometer score, it’s safe to say that critics are impressed by Netflix’s ambitious European feature.
“This might be the best Disney animated film since ‘Frozen,'” wrote one critic.
Locksmith Animation’s debut delivers good laughs and timely social commentary, say critics.
Dash Shaw’s Sundance-winning film is out in theaters and on video on demand.
We sat down to watch the three most exciting anime films at the fest.
The show premieres on Disney+ on Wednesday. Here’s what the critics are saying.
When the songs kick in, the design is dialed up to 11. It’s a shame and an irony, then, that the songs themselves aren’t very memorable.
Pascal-Alex Vincent’s Cannes-playing documentary is a well-crafted primer on Kon’s career and works.
The sequel’s frantic mashup of studio IP is far from a slam dunk, say critics.
The R-rated Netflix comedy is directed by “Archer” veteran Matt Thompson.
Reviews of three disparate films that played in competition at this year’s Annecy festival.
Marq Evans’s film also gives a rounded portrait of Vinton himself, as a visionary but flawed artist and leader.
Enrico Casarosa’s radiant first feature is an ode to the kind of bond that only young boys can form.
The most striking thing about Dreamworks’s latest is that it’s coming out exclusively in theaters.
Gina O’Melia traces the rise of the American Saturday morning cartoon and the challenge to its supremacy from anime shows.
The film squanders an interesting set-up by diverting into frenetic action and comedy.
The film releases today on digital platforms in North America.
In a new book, Sam Summers sets out to dissect how the Dreamworks formula, with its pop tunes, celebrity actors, wink-wink gags, differs from Disney’s.