‘Minions: The Rise Of Gru’ Reviews Roundup: Funniest Film Of The Year Or Total Bore? Critics Can’t Agree
Reviews are mixed for Illumination’s latest, which is predicted to pull in between $65-93 million over the July 4 weekend.
Reviews are mixed for Illumination’s latest, which is predicted to pull in between $65-93 million over the July 4 weekend.
We review two unique titles from this year’s Annecy Contrechamp competition.
Sitting at 100% on Rotten Tomatoes, critics are loving the stop-motion seashell ahead of its big screen debut on Friday.
Critic Carlos Aguilar reviews two standout Portuguese films that featured at Annecy this year.
See how critics rate Lightyear against other features from Pixar’s legendary animation franchise.
Disney’s first hand-drawn theatrical feature in over a decade is being welcomed with open arms by critics.
Comparisons were always inevitable, but so far most critics have been impressed by Disney +’s latest throwback.
The Bad Guys reviews are looking good, with critics cheering the film’s humor and action sequences.
For our review roundup, we opted to focus on the few – very few in fact – reviews which addressed the film’s cgi work.
Critics are praising the film’s nostalgic appeal and Linklater’s novel approach to first person storytelling
“Magical puberty transformation” is not a standard Pixar film description, and that’s refreshing.
How has Illumination’s first film in two and a half years fared with critics?
Critics like the film as much as award voters do.
With a 100% Tomatometer score, it’s safe to say that critics are impressed by Netflix’s ambitious European feature.
“This might be the best Disney animated film since ‘Frozen,'” wrote one critic.
Locksmith Animation’s debut delivers good laughs and timely social commentary, say critics.
Dash Shaw’s Sundance-winning film is out in theaters and on video on demand.
We sat down to watch the three most exciting anime films at the fest.
The show premieres on Disney+ on Wednesday. Here’s what the critics are saying.
When the songs kick in, the design is dialed up to 11. It’s a shame and an irony, then, that the songs themselves aren’t very memorable.