We explain why it’s an extremely unpredictable year in the Oscar race for best animated feature.
Why did the Academy invite a record number of animation artists to join their organization this year?
The new rule changes could make the animated feature category much less friendly to independent and foreign animated films.
Academy members’ flippant attitude and outright disdain for animation has led to a crisis of confidence in the organization’s abilities to judge animation.
Learn about the unique production pipeline used by director Michael Dudok de Wit to create the Oscar-nominated feature “The Red Turtle.”
Here’s our coverage of the 15 contenders who are competing for an animation/vfx Oscar next week.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
This year’s Oscar-nominated vfx supervisors name their toughest shots—and they’re not all what you might think.
Reactions from the Academy Award-nominated filmmakers!