DNEG Asks Global Staff Earning Over $43,200 To Take A Three-Month Pay Cut (EXCLUSIVE)
The company says this must be done in order to retain jobs amid the crisis. Union representatives are worried about the long-term implications.
The company says this must be done in order to retain jobs amid the crisis. Union representatives are worried about the long-term implications.
With a slowdown in live-action production, the WGA is re-igniting a turf war by trying to cover more writers on animation productions, traditionally the domain of The Animation Guild.
“Right now is the time for the utmost flexibility towards vfx artists and all practitioners,” says the society.
While other industries send their workers home, visual effects employers are dragging their feet.
A veteran industry artist shares their experience and perspective of working in the business.
Toxic behavior. Moronic executives. Dull meetings. Lies. Janet Chan wasn’t impressed with the world of Hollywood animation.
Writers and storyboarders should talk more. Animation directors should be repped by the DGA. Oh, and Western shows sound better in Japanese.
Peggy Holmes will now direct the first film from John Lasseter’s animation studio.
Bergeron allegedly raped an employee, who later committed suicide.
We published nearly 750 stories in 2019 — here were the biggest ones.
Universal is replacing the current version in theaters with a new version that contains “improved visual effects.”
Well, it’s about time!
On Friday at Animateka festival, distributor Luce Grosjean called on festival directors to crack down on sexual harassment. Watch her speech here.
Thanks to Youtube’s new implementation of U.S. law, animators may be at risk of losing most of their revenue from the video hosting site.
Bill Morrison is the latest comic artist whose artwork made someone else rich.
A new system is coming for artists who are tired of having their visual creations stolen without attribution.
Animator Ayane Nakamura explains why she’s dependent on donations from strangers to get by in her career.
“There was a ‘God-shaped hole in my heart,’ and I wanted to fill it,” says newly-baptized “The Loud House” creator Chris Savino.
New research looks at gender, ethnicity, inclusivity, and pay in the U.K.’s animation, vfx, and post-production sectors.
The former basketballer fouled out in his attempt to score free animation from artists.