Questions We’re Asking About This Year’s Animated Feature Oscars Race
If the Academy wants to shed its reputation for being dismissive towards animation, these are some key questions it should consider.
If the Academy wants to shed its reputation for being dismissive towards animation, these are some key questions it should consider.
Switzerland’s Fantoche International Festival of Animated Film, among Europe’s most prestigious such events, has unveiled the winners …
Another Netflix production, ‘Love, Death + Robots,’ won the short-form animation category.
‘A Town Called Panic: The Summer Holidays’ and ‘Bird in the Peninsula’ also scored multiple honors.
The film will represent Canada in the Academy Awards category for international feature.
These nine Oscar-contending animated shorts have built momentum heading into awards season.
Thoughts on who might make an impact at the 2023 Oscars.
Artists who worked on Netflix’s ‘Arcane,’ ‘The House,’ and ‘Love, Death + Robots’ won awards.
What does a Toronto selection mean for Wendell & Wild’s Oscar prospects, and what has a TIFF premiere meant for animated films in the past?
Retired educator and industry leader Pam Hogarth was named the recipient of this year’s VES Founders Award.
Netflix’s Arcane and Disney+’s Chip ’n Dale: Rescue Rangers are among the notable contenders.
Here are all the people who have been invited to the Short Films & Feature Animation and Visual Effects departments.
At a joyous closing ceremony, awards were handed out and Mexico was unveiled as the country of honor for Annecy 2023.
Michaela Pavlátova’s My Sunny Maad took home the feature film prize.
João Gonzalez’s Ice Merchants was the first-ever Portuguese animated film to win an award at the Cannes Film Festival.
The three stop-motion productions swept every category in which they were represented at the Ibero-American awards ceremony.
Bestia, Steakhouse, and To the Last Drop featured among the winners at this year’s Stuttgart Festival.
Brazil, Chile, and Mexico lead the way with six nominations apiece.
After this year’s Oscar debacle, Lord and Miller are asking for “a respected filmmaker to present the award and frame animation as cinema.”
Alberto Mielgo’s acceptance speech was as problematic as the other issues of the evening. It denied animation history. It rejected what exists, has existed, and will continue to exist.