Do Animated Features Need To Win Over Critics To Receive An Oscar Nomination? A Look At The Data.
We charted ten years of Rotten Tomatoes data to see what critics thought about animated feature Oscar nominees.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
We charted ten years of Rotten Tomatoes data to see what critics thought about animated feature Oscar nominees.
Colombia’s animation scene is thriving. Let’s highlight some of the tremendous work being done by its native artists and studios.
Barranquilla-based graphic designer Geraldine Fernández claimed she contributed 25,000 drawings to the film’s production.
The 22nd VES awards will be presented on February 21 at The Beverly Hilton Hotel in Los Angeles.
Netflix’s anime adaptation ‘Scott Pilgrim Takes Off’ won best animated series.
Lord and Miller appeared on ‘Late Night with Seth Meyers’ to promote their film, which will get a theatrical and IMAX re-release on January 19.
The film will be available on Netflix worldwide starting February 2.
The performance of the films is good news, but also raise some questions that studios will surely be considering going forward.
It marks the first time in the category’s 18-year-history that the Golden Globes have recognized a non-American animated feature.
Shinkai opened up about his unique (mostly) solitary process of writing and developing films.
In what may be an awards season first, an animated feature has received an endorsement from a head of state.
The Spanish production from director Pablo Berger is one of the standout films of the past year.
A strong run for ‘Migration’ is good news in an industry that was asking questions about the viability of original titles at the box office.
Nearly half of this year’s 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
With so many quality qualified films in this year’s animated feature race, voters will have a tough time picking the five best.
On Christmas Day, Miyazaki’s ‘The Boy and the Heron’ became the sixth highest-grossing anime title in U.S. box office history.
Critics have been generally receptive, and have found plenty to admire both visually and narratively, while acknowledging that the film hews close to well-worn American animation formulas.
The director joined us to discuss why animals make the best protagonists and the importance of a good score.
Which distributors had a 2023 to remember, and which will be looking to turn things around in 2024?
Brenda Chapman, Steve Hickner, and Simon Wells discuss the production of some of the film’s most memorable scenes.