‘The Mitchells Vs. The Machines’ Twitter Account Reacts To The Academy’s Disrespect Of Animation
The perfect response to yesterday’s events.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The perfect response to yesterday’s events.
Studio promos for animated films tend to cut from the same cloth, but here’s an idea we’ve never seen before.
Awards season comes to a close this weekend with the Oscars, which makes it an ideal time to review some of our key coverage of this year’s Oscar-nominated features and shorts.
“I, Chihuahua” tells the story of a dog named Chacho who dons a lucha libre mask to become Luchacho.
Moore will create, develop, and produce original animated features for the John Lasseter-led studio.
Set in a futuristic cyberpunk world, “HITPIG” is created by Berkeley Breathed and directed by David Feiss and Cinzia Angelini.
“Encanto” could have easily become a Mirabel and Bruno buddy story, but “from the beginning we knew we didn’t want to fall into that trope,” explained Byron Howard.
Jansen’s masterful integration of archival footage, audio recording, and animation was key to the success of three-time Oscar-nominated “Flee.”
Puss in Boots may have nine lives, but how many lives did this production have?
Two of the frontrunners in the Oscar race for best animated feature traded awards on Sunday evening.
Netflix won 20 of 31 categories.
“Magical puberty transformation” is not a standard Pixar film description, and that’s refreshing.
Say employees: “We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were.”
The 2d-animated drama is based on the life of German-Jewish painter Charlotte Salomon.
Dune and Encanto led the pack with four awards apiece.
Linklater’s film is rooted in both memory and fantasy, or as the director puts it, “the memory of a fantasy.”
Disney is also pausing the release of all future theatrical releases in Russia.
Nierva and Makarewicz worked a combined total of 40 years at Pixar.
The Belgian animated feature is based on a short-lived Dark Horse graphic novel.
The independently produced European feature was directed by former Pixar animator Carlo Vogele.