Pixar Shares First Trailer, Release Date For Peter Sohn’s ‘Elemental’
‘Elemental,’ based loosely on Sohn’s childhood growing up in the Bronx, will release in theaters in June of next year.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
‘Elemental,’ based loosely on Sohn’s childhood growing up in the Bronx, will release in theaters in June of next year.
A November release could hurt ‘Suzume’ long-term. Shinkai’s previous films opened in summer, historically a more favorable window.
Critics are praising the work done by director Nora Twomey and her animation team on Netflix’s latest animated feature.
With the film’s rights back in their hands, director Fernando Cortizo and producer Isabel Rey want the world to see ‘O Apóstolo.’
The Academy also confirmed that ‘Marcel the Shell with Shoes On’ and Canada’s ‘Eternal Spring’ are eligible for consideration.
The animated feature from Timeless Films and Axis Studios will land on Netflix December 2.
The Criterion release is a one-off project driven by “my own filmmaker ego” says director Andrew Stanton.
The film debuts on the streamer December 9.
‘Film Red’ is now the ninth-highest-grossing anime film of all time globally, passing ‘Princess Mononoke’s total of $170 million.
Despite working with big-name talent, Netflix is struggling to reach viewers with its original animated features.
Crunchyroll, GKIDS, and Eleven Arts spoke with Cartoon Brew about the impact and sustainability of the anime boom at U.S. theaters
López Estrada is the third different director who has been attached to the remake.
High profile original fare is joined by a glut of holiday themed programming in our November animation streaming guide.
Critics have called it “overstuffed” and “unfocused,” yet most were happy to forgive those faults thanks to the film’s virtues.
Illustrator Pablo Lobato, who had never worked in animation prior to this film, had to both learn – and unlearn – craft and skills to design characters for stop motion.
“I wanted to have evidence of [stop motion’s imperfections],” says Selick. “I think the audience needs to work a little bit to make the magic real, but then the movie means more to them.”
Works from as far back 2019 are eligible for this year’s awards, creating a familiar field of nominees.
John Lasseter “really couldn’t support my vision,” says Selick.
The studio’s 350-person staff is expected to grow for the production of the film.
‘Unicorn Wars’ producer Uniko has shadow-dropped a video game adaptation of Alberto Vázquez’s latest feature.