The European Animation Awards shed light on European animation’s self-image at a time of great change.
“”I’m not happy that I don’t get to participate. Who would be?,” says Woolverton.
The AI-generated synthetic anchor was created with the goal of replicating realistic movement, facial expressions, and voice.
Netflix is shaking up the animation industry in a big way. Here a look at the studio’s upcoming projects.
“They wanted to record and copy all my moves into a digital library,” says Li. “They could own [my moves] as an intellectual property forever.”
An investigation into the mysterious companies that are producing the most popular children’s content on Youtube, and what effect it might be having on children.
Responding to public pressure on social media, Walt Disney Animation Studios is reanimating the scenes of Princess Tiana that appear in “Ralph Breaks the Internet.”
Youtube is the new gatekeeper for animation creators – and that’s not necessarily a good thing.
A prominent industry figure has vowed to never attend CTN Animation Expo again. He is part of a growing group of artists who are criticizing the popular L.A. industry event.
The Disney Company’s inconsistent values and ethics is causing a lot of people to question its reputation as a family-friendly brand.
This film is a major rarity in the U.S movie market.
The “Be Everywhere All At Once” strategy is a new – and smarter – way to think about distributing a short film online.
Brad Bird doesn’t care if your 4-year-old doesn’t like his film.
Here are some smart ways to improve the working lives of everyone at an animation company and help build a better future for the industry.
A new study reveals valuable insights into online consumption habits by teens.
It’s not just women who are lacking from the picture either — men aren’t treated equally either.
John Lasseter’s sabbatical ends on May 21, but no one knows if he’s coming back.
One of the most important people at Pixar, 25-year veteran producer Darla K. Anderson, has left the company just days after she won the Oscar for “Coco.”
Wes Anderson’s new film is already breaking barriers, becoming the first animated feature to open the Berlinale festival. What else can it do for animation art?
A tv animation veteran shares some thoughts on the current demand for series in the animation industry.