How Andrew Coats and Lou Hamou-Lhadj Made The Independent Short ‘Borrowed Time’ Inside Pixar
Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Chris Renaud talks about comic influences on “The Secret Life of Pets,” Illumination’s unconventional workflow, and the studio’s fluid production process that allows humor to be added in during every stage of production.
Nearly 60 musicians were enlisted to create the recent “Steampunks” musical episode of Nick’s “Harvey Beaks.”
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
Bastien Dubois talks to Cartoon Brew about the challenges of transitioning from an indie filmmaker to a TV series creator.
Rémi Chayé’s unique hand-drawn feature is earning plenty of accolades, but finding an audience isn’t easy.
“Our primary goal is to broaden and redefine the perception of animation in the US.”
Steve Cutts may not be a household name, but his viral films got him the gig of a lifetime.
“Prologue,” he says, “is the only thing so far in my career that I’ve ever been really been pleased with.”
Lepore spoke with Cartoon Brew about the tactile wonder of stop-motion, gender and merit in animation, and why guest-directing ‘Adventure Time’ is a resume-stuffer that’s hard to beat.
Cartoon Brew speaks with the Brothers Quay about Christopher Nolan’s documentary, their exhaustive Blu-ray collection, and the challenges of finding funding for new projects.
One of the most original voices in contemporary stop motion talks about his work with us.
Executive producer Brendan Hay talks about how to play imminent demise for laughs in the new Netflix series ‘Dawn of the Croods.’
We spoke with Allers about awards season, women in animation, and why we still don’t see enough anthology animation at the multiplex.
We spoke with Martino about merging the worlds of 2D and 3D animation, and why a Charlie Brown who is actually recognized and praised isn’t much of a stretch for Schulz.
The outspoken animation legend speaks with Cartoon Brew about his new film “The Last Days of Coney Island” and other topics.
One of only two female directors currently at Disney Television Animation, Aliki Theofilopoulos speaks frankly about the ups and downs of her career in the animation industry.
The former Disney animator speaks about the challenges of creating an international co-production spanning more than a half-dozen countries, numerous visual styles, and almost a decade of production time.
Heading into its fifth weekend at the U.S. box office, Genndy Tartakovsky’s Hotel Transylvania 2 has proven to be a crowd-pleaser in both …
Artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.