Recent Animation Books
Chris F. writes to ask if I ever heard of the book/DVD set, FLIPS 7, which presents the work of some dozen-and-half modern animation studios from around the globe. I haven’t heard of the book, but it looks like something worth picking up. Here is the description of FLIPS from the publisher’s website:
FLIPS Book Seven focus on independent animators and production houses. It caters animators and those who are interested in animations. In this latest publication, some 17 individuals and studios from around the world have presented their latest works, including encompassing animated short films, TV commercials and music videos. The stirring line-up includes Shynola from London, Duck Soup Studios from Los Angeles, Devilrobots and Furi Furi Company from Japan, and many other up and coming design companies.
FLIPS sounds like part of a recent trend of book/DVD combos with a focus on non-mainstream animation which are being released by design publishers like IdN, Taschen and Harper Design International. Another recent title along these lines is ANIMATION NOW! which based from the preview posted on the Taschen site is something I’d really like to get my hands on when the book is released in September. There’s also ANIMATION UNLIMITED: INNOVATIVE SHORT FILMS SINCE 1940 by Liz Faber and Helen Walters which is a book I actually have. This one doesn’t focus on studios but rather fifty individual directors, offering a one-page bio of each filmmaker and then 1-5 pages of stills from one of that director’s films. There’s an impressive range of artists covered from experimental legends like Len Lye, Stan Brakhage and Oskar Fischinger, indie mainstays including Caroline Leaf, Frédéric Back and Paul Dreissen, and digital motion graphics by the likes of the Pleix collective and Dylan Kendle. As is the nature of independent animation, it can hardly be expected that anybody will enjoy the works of all the artists featured in the book, but it’s a nice introduction to many well known and obscure independent animators and serves as a starting point for further exploration of the independent scene.