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Annecy In Shock After Knife-Wielding Attacker Injures Four Children, Two Adults Days Before Festival’s Opening
Two of the children and one adult are in “serious condition.” All six were taken to the hospital.
Previously on Cartoon Brew
Civilization’s End Has Never Been More Fun Than In Jorn Leeuwerink’s Ecological Allegory ‘Pig’
The film was released online this week after a successful international festival run.
SVA’s Computer Arts Community Shines At SIGGRAPH 2025
SVA’s MFA Computer Arts program made a strong impact at SIGGRAPH 2025, with student volunteers, alumni, and faculty contributing throughout the conference.
Titmouse New York Becomes First Non-L.A. Studio To Ratify A TAG Union Contract
It’s also the first New York studio to agree to a union contract since the 1980s.
Animation Will Be Key To Vision Pro’s Success – And Other Observations On Apple’s Spatial Computing Device
We break down the importance of animation to Apple’s newest tech, as well as four other takeaways from this week’s unveiling.
Gaumont Promotes Terry Kalagian To President Of Global Animation, Kids And Family
The move is part of a larger Gaumont plan to centralize its animation and kids and family divisions in Europe.
‘Lightyear’ Director And Producer Among Mass Layoffs At Pixar; Biggest Purge At Studio In Last Decade
Around 75 employees have been let go from the venerable Northern California studio.
‘Spider-Man: Across The Spider-Verse’ Shatters Opening Weekend Record For A Sony Animated FIlm
It’s the first $100 million-plus domestic launch for an animated Sony title.
Alan Dewhurst, Passion Pictures Co-Founder And ‘Peter & The Wolf’ Producer, Dies At 63
Dewhurst started out as a runner at Richard Williams’ studio before finding success producing both commercial and narrative animation.
Uganda’s Creatures Animation Debuts Its First Series, ‘Kunda & Friends’
There isn’t a proven roadmap to building an animation studio in Uganda, but that isn’t stopping Raymond Malinga whose studio’s mantra is “the audacity to dream.”
GLAAD Joins Women In Animation To Co-Host WIA World Summit 2023 At Annecy
This year’s WIA World Summit will place a special emphasis on gender justice.
Take A Load Off With Rabbit Hole’s Comedy Short ‘Lunch Break’
Belgium’s Rabbit Hole produced the sharp-looking cg short about a middle-aged crane operator who just wants to enjoy his lunch.
Belinda Blacklock Appointed As VP Of Animation At Modern Magic
Blacklock will be in charge of finding, developing, and producing animated productions for both film and tv.
‘Across The Spider-Verse’ Reviews Roundup: Sony’s Spidey-Sequel Exceeds Franchise’s Lofty Standards
Reviews are flooding in for Sony Pictures Animation’s spidey-sequel Spider-Man: Across the Spider-Verse, and so far they’re …
‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ Gets New Trailer, Moves Up Release Date
Meet the mutant cast of bad guys that will go head-to-head with the Turtles in ‘Mutant Mayhem,’ hitting theaters on August 2.
Amuse Animation Opens Chinese Office With Distribution Vet Entin Liu At The Helm
The company is looking to scale up and better exploit its kids and family IPs on more and larger platforms.
‘The Little Mermaid’ Remake Opens With Impressive $95.4M Domestic Debut But Struggles Abroad
Meanwhile, ‘The Super Mario Bros.’ is just days away from becoming the third-highest-grossing animated film of all time.
Cartoon Saloon’s ‘My Father’s Dragon’ Cleans Up At Irish Animation Awards
Other big winners at Saturday night’s ceremony included the kids’ tv series ‘Tales from Dún Draíochta’ and ‘Odo.’
Flóra Anna Buda’s ’27’ Tops Live-Action Competition To Take Cannes’ Short Film Palme d’Or
’27’ is the first animated short to win the prize since ‘Waves ’98’ did so in 2015.
These Minnesota-Based Designers Made Hellavision Television A Home For Experimental Animation
We spoke to Hellavision organizers Peter Steineck and Michael Van Swearingen, as well as Dave Merson Hess, who programmed its most recent episode.
Watch: New ‘Nimona’ Footage Debuts In Netflix Promo
Netflix released a teaser last week, but the new June promo is a more accurate representation of the film’s adventurous aesthetic.
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