Cartoon Brew Launches A New Podcast – Listen To The First Episode Here
Welcome to the first episode of Cartoon Brew’s new podcast hosted by Jen Hurler.
Welcome to the first episode of Cartoon Brew’s new podcast hosted by Jen Hurler.
In this anijam, animators depict positive things they have experienced, seen, or thought in the midst of this strange time.
It’s been a whirlwind year for Quebec animator Janice Nadeau since the premiere of her animated short Harvey at Clermont-Ferrand.
The company’s animation studio has produced a segment of Netflix’s “Love, Death & Robots,” Disney’s “101 Dalmatian Street,” and music videos for Gorillaz
Her résumé also includes “Brave,” “The Book of Life,” “Elf,” and an eight-year stint as a layout artist during the Disney Renaissance.
In a guest piece, industry executive Aaron Simpson explains how the animation industry had been preparing for this disaster for decades without even knowing it.
The veteran executive served as the programming block’s creative director at its launch in 2001.
“Trolls World Tour” did well on video-on-demand. Universal wants to repeat the formula. Theaters are furious.
Paramount and Hasbro’s Entertainment One will produce the film, with a script from the writers of Marvel’s “Ant-Man and the Wasp.”
Top French animation directors tell the César Awards: “We wish to state, once again, that animation is not a genre.”
A slapstick avant garde film…
Warner Bros. gave up on a previous partnership with the toy company after their movies yielded diminishing returns.
Until theaters reopen, films that are launching on streaming or VOD services will still qualify for the Oscars.
Part of a series about the most legendary football/soccer players of all the time, this episode is based on Cristiano Ronaldo.
In her 20-year career, Mlynarczyk earned seven Emmy nominations, winning once.
Looom, available on Ipad, is pitched at both non-animators who want to learn and pros who want to experiment.
The late filmmaker made dozens of films based on children’s books. In a 1977 documentary, he explained how to do this well.
The group aims to see 50/50 gender parity across Austin’s expanding animation industry by 2025.
This is the first time in the conference’s 47-year history that it has been cancelled.
The company’s treatment of its staff is “grotesque” says a grassroots vfx workers rights organization.
A 22-year veteran of Pixar, he contributed to many of the studio’s most successful films.