Warner Bros. Has Set A Release Date For Taika Waititi’s Live-Action ‘Akira’
The American version of “Akira” is on its way.
The American version of “Akira” is on its way.
The Guy Ritchie-directed film has already passed $225 million in global box office.
SVA’s MFA Computer Arts program made a strong impact at SIGGRAPH 2025, with student volunteers, alumni, and faculty contributing throughout the conference.
What does a vfx supervisor actually do during a film’s production? The answer might surprise you.
Not all childhood memories are nice. Some of them reach out to the present, no matter how much time has passed.
“I Lost My Body” will reach Netflix’s 150+ million subscribers.
The conference takes place October 21-25 in Torino, Italy and brings together professionals working in interactive and immersive storytelling, computer graphics, animation, vfx, video games, vr, ar, and mixed reality projects.
In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.
Animation power players, both on the creative and executive side, are scheduled to speak at the 3rd annual Women in Animation World Summit.
Analysts project “Aladdin” will gross somewhere between $75-$85 million through the extended holiday weekend.
A key figure from Pixar’s glory days will head up character animation for DNEG’s burgeoning feature animation group.
Pre-production on “Bubbles” has been halted after both Waititi and Netflix backed out of the project.
China’s Pearl Studio, formerly Oriental Dreamworks, has unveiled the first look at its new film, “Abominable,” a co-production with Dreamworks Animation.
Makoto Shinkai’s last film “Your Name” smashed worldwide box office records for anime.
Arriving July 3, 2020.
“I Lost My Body,” the only animated feature in competition at Cannes Critics’ Week, has won the grand prize.
In this new episode of our series “This is My Job,” the Oscar-nominated director talks about what she’s learned about running an animation studio.
“I plan to get my hands bloody and fight the good fight ’til my dying breath,” says Titmouse’s new creative director.
“You haven’t seen anything yet,” says director Josh Cooley.
A pudgy little man dreams of being Tarzan.
Could Mohammad bin Salman, the crown prince of Saudi Arabia, become the Walt Disney of the Arab world?