Breaking: Oscar-Winning Studio Moonbot Lays Off Employees After Possible Studio Sale
Moonbot is laying off employees in Louisiana, but might be growing even larger in Florida.
Moonbot is laying off employees in Louisiana, but might be growing even larger in Florida.
Who are the likely contenders for a visual effects Oscar? And which films might surprise this year?
The program offers an intensive two-year exploration of animation from an artistic perspective in Ireland, Belgium, or Portugal.
Discover the art of Kento Iida, Cartoon Brew’s Artist of the Day.
“Trolls” debuted at No. 1 in nine markets.
An expressionistic portrait of the final minutes in the life of Winnipeg’s doomed Second World War hero, Andrew Mynarski.
Voice actors are refusing to record any voices until game makers and entertainment companies agree to update a decades-old contract.
New Zealand is poised to enter the Academy Award race this year with “25 April,” an adult-skewing animated feature about World War I.
When Rabbit and Badger work together, Horse and Donkey must be wary of flattery in this music video for Zakouska’s “Crin-crin.”
An effort to organize the artists at Burbank, California-based Stoopid Buddy Stoodios has gained momentum in recent weeks.
The Oscar-contending “Miss Hokusai” is getting a major expansion in the U.S. this weekend.
Disney and its subsidiaries like Pixar and Lucasfilm are the only companies who are still fighting artists.
Discover the art of Carrie Hobson, Cartoon Brew’s Artist of the Day.
Bit Bang Fest is a free one-day festival dedicated to animation, video games, and digital art.
It’s for only 2 days, but hand-drawn Looney Tunes are headed back to the bigscreen!
Alec Baldwin is a businessman-baby in “The Boss Baby.”
An inspiring DIY project for anyone who creates digital art on a tablet.
When a futurist traveler’s electric car runs out of batteries, she ventures out across a barren desert in search of more power.
A weathered sheriff returns to the remains of an accident he has spent a lifetime trying to forget.
Mark Dippé and Steve ‘Spaz’ Williams, who created groundbreaking vfx work on “Jurassic Park,” “T2,” and “The Abyss,” talk about what’s different about the vfx industry today.