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‘If It’s Not Broke, Break It’: Sony Imageworks’ Renegade Approach To ‘Spider-Man: Into the Spider-Verse’
Why Imageworks had to 'break' their animation and VFX pipeline to make "Spider-Man: Into The Spider-Verse."
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INTERVIEW: Mamoru Hosoda On The Profoundly Personal Making Of ‘Mirai’
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
‘Antz’ Hits 20: Re-Visiting PDI’s Tech From 20 Years Ago
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.
Animation Plays An Important Role In The New Indie Drama ‘We the Animals’
First-time animation filmmaker Mark Samsonovich talks to Cartoon Brew about how he became the animation director of the new indie feature 'We the Animals.'
How E.d. Films Is Using Real-time To Help Make Their Animated Films
A look at how e.d. films in Montreal has adopted the Unity game engine for animated filmmaking, and even developed its own real-time tools.
Discover How Simple Animation Is Transforming Visual Effects And Animation Production With Cloud-Based Animation-As-A-Service
Learn how SummuS Render’s new Simple Animation service can slash the time and cost of the animation process, helping your studio deliver on budget and on schedule.
The Academy Invites 928 New Members, Including Over 150 In Animation And VFX Branches
It's a good year for the animation world: some previously overlooked women filmmakers and Japanese animation directors have been invited to join the Academy this year.
Annecy: Google Spotlight Stories Releases ‘Piggy,’ A New Approach To VR Interaction
The latest Google Spotlight is as much experiment as short, pushing the limits of interaction between the viewer and character.
‘The Triplets of Belleville’ 15th Anniversary: 7 Insights Into The Making Of A Contemporary Classic
Sylvain Chomet's modern animated masterpiece "The Triplets of Belleville" premiered in French theaters on this day 15 years ago.
A Chat With ‘The Burden’ Filmmaker Niki Lindroth von Bahr, Whose Films Will Be Screened In Montreal
With her first three shorts, Niki Lindroth von Bahr has established herself as an important voice in stop-motion filmmaking.
‘Isle of Dogs’: Animation Director Mark Waring Explains How To Animate A Wes Anderson Film
"Isle of Dogs" animation director Mark Waring breaks down the animation process on Wes Anderson's new stop-motion tale.
‘Paddington 2’: How To Find A Character’s Performance
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
The Wonderful World Of Cardboard In Daniel Agdag’s ‘Lost Property Office’
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
‘Jumanji: Welcome to the Jungle’: More Than Just CG Creatures
'Jumanji: Welcome to the Jungle' features plenty of cg jungle animals, as well as a number of other visual effects.
Digital Humans In Real-time Are The Star In Neill Blomkamp’s Latest Short
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
Goodbye, ‘Adventure Time’: Cast And Crew Gather To Bid Farewell To The Series
Pen Ward's groundbreaking tv series has officially ended.
Akeytsu Wants To Change The Way You Rig And Animate Characters
A new software, Akeytsu, aims to make rigging and animation easier and faster for cg animators.
Crafting A Show With Netflix: Guru Studio’s Frank Falcone On ‘True and the Rainbow Kingdom’
Guru Studio founder Frank Falcone reveals what animation producers and creators need to know to succeed with a Netflix series.
‘Coco’ Director Lee Unkrich Doesn’t Understand Why Some People Are ‘Threatened’ By His Film
Disney put "Coco" director Lee Unkrich in a tough spot, and he's expressing his frustration on Twitter.
‘Okja’: Finding the Personality Of A CG Super-Pig
How the vfx crew used on-set puppeteering and cg to bring the star of 'Okja' to life.
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