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School Of Visual Arts Students Discuss How They Completed Their Thesis Films Remotely
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
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‘Into The Spider-Verse’ Director Rodney Rothman And Former MGM Exec Adam Rosenberg Launch Modern Magic
The company's mission is to "create innovative animated and live action ‘event entertainment’ for the 21st-century audience."
D.M. Galloway, A Young Artist From Brooklyn, Is Becoming The Go-To Animator For Major Toy Brands (Interview)
Galloway has carved out a niche creating stop-motion commercials with toys. He tells us how he got here.
The Animation That Changed Me: Peter Chung on ‘Space Adventure Cobra’
Watching the series "was the first time that it really became clear to me what a director does," says Chung.
‘The Mitchells vs. The Machines’ Review: Apocalyptic Family Road Trip Loses Its Way
The film squanders an interesting set-up by diverting into frenetic action and comedy.
Erick Oh On ‘Opera’ (Oscar Shorts Interview Series)
Pixar veteran Oh has scored an Oscar nomination for his self-produced experimental short. He tells us how the project came about.
Will McCormack & Michael Govier on ‘If Anything Happens I Love You’ (Oscar Shorts Interview Series)
Michael Govier and Will McCormack scored an Oscar nomination with their first animated short, "If Anything Happens I Love You." They spoke to us about their vision for the film.
‘Raya and the Last Dragon’ Reviews: Critics Generally Positive, Despite A Reliance On Formulas
Branded as formulaic, "Raya and the Last Dragon" is still being praised for its world-building, performances, and emotional depths. Here's what some critics had to say.
From Family Secrecy To Sundance Success: The Unusual Production Of ‘Souvenir Souvenir’
Bastien Dubois speaks about the decade-long creation of his searing documentary short.
Exclusive: Watch The Teaser For ‘Master,’ A Feature From Jamaal Bradley, Steamroller Studios, And Executive Producer Peter Ramsey
Olivia, a young Black woman endowed with superpowers, leads her family to what she sees as a better life — only to realize that's not what she should be fighting for.
Tales From The Cutting Room Floor: Jorge Gutierrez On ‘The Book Of Life’
For the first article in our new series, Gutierrez tells us about the original ending to his 2014 feature — and why he had to change it.
A Highly Subjective Look At Some Of This Year’s Lesser-Known Oscar Contenders
Animated shorts that Academy voters should take some time to consider.
The Animation That Changed Me: Céline Desrumaux on ‘Grave Of The Fireflies’
"The more you expand your own emotional journey through life, the more the movie gives back to you," says Desrumaux.
In Memoriam: Remembering The Animation Industry Figures Who Died In 2020
A tribute to the talents the community lost this year: animators and cartoonists, directors and producers, voice artists, dancers, and basketball players.
Ideatoon 2020: A Snapshot Of Latin American Animation Today
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
Social And Racial Justice Take Center Stage In School Of Visual Arts’s Animation Community
As the school launches new diversity initiatives, alumni share their experiences tackling social and political issues in their work.
Here’s The Biggest Animation News You Missed In June
Social, economic, and public health crises — and a "Chicken Run" sequel.
RIP, Kelly Asbury, Director Of ‘Shrek 2’ and ‘Spirit: Stallion of the Cimarron’
Asbury also worked on beloved contemporary works like "Shrek," "Toy Story," "Frozen," "The Nightmare before Christmas," and "Beauty and the Beast."
Secrets Of A Creative Marriage: 10 Animation And Filmmaking Tips From Disney Directors Ron Clements And John Musker
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
‘Kill It And Leave This Town,’ The Striking Polish Feature That Was 14 Years In The Making (Interview)
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made "the first feature animated art film in the history of Polish cinema."
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