Johnny Hardwick, ‘King Of The Hill’ Writer, Producer, And Dale Gribble Voice Actor, Dies At 64
Hardwick voiced 'King of the Hill's Dale Gribble from day one and picked up three Emmy nominations and a win as a producer on the show.
Hardwick voiced 'King of the Hill's Dale Gribble from day one and picked up three Emmy nominations and a win as a producer on the show.
Teenage Mutant Ninja Turtles: Mutant Mayhem hits theaters this weekend, and many of the artists who contributed to the film have been …
A prolific writer, Korkis wrote dozens of books related to animation and Disney history.
The announcement continues the trend of major sports leagues like the NFL, NBA, and NHL using animation to reach young audiences.
Plenty of directors promote their work on social media, but Rowe is calling out the artists who worked on 'Mutant Mayhem' by name.
An artist who worked across many mediums, his animation work with Pink Floyd and Linda McCartney still has the power to dazzle.
Reubens' 'Pee-wee's Playhouse' influenced a generation of artists who work in children's entertainment.
We caught up with Gair ahead of the film's North American premiere at at the Portland Festival of Cinema, Animation & Technology.
Cruikshank’s work melds vivid, eye-popping graphics fusing fantasy and early cartoons with bizarre stories and characters.
The film won the European Film Award for best short film, beating out the continent's best in live action and animation.
'Ruby Gillman' has entered the record books, but not for the right reason.
"A lot of people have a lot of ideas how [Ruby] should be living her life and this journey she goes on is figuring out how she wants to," says director Kirk DeMicco.
Reviews are praising the film's unique animation style, exciting action sequences, and strong moral compass.
Reiersen tells us what made Toon Boom Harmony the right tool for this job ahead of the film's U.S. streaming release on June 27.
Restorations were executed by Walt Disney Studios Restoration and Preservation team with support from Walt Disney Animation Studios.
Industry executives discuss how decades-old stories don't always work with contemporary standards of representation, storytelling, and relatability.
Directors Nick Bruno and Troy Quane spoke with us about the visual development of the film's medieval/futuristic world and characters.
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
The film debuts today on Netflix.
There isn’t a proven roadmap to building an animation studio in Uganda, but that isn't stopping Raymond Malinga whose studio's mantra is “the audacity to dream.”