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The Ten Filmmaking Rules Of ‘La Casa Lobo,’ 2018’s Most Gonzo Stop Motion Feature
An experimental Chilean horror fairy tale based on a real-life child-abusing Nazi cult leader barely begins to describe "La Casa Lobo."
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‘Antz’ Hits 20: Re-Visiting PDI’s Tech From 20 Years Ago
An oral history of PDI's tech behind the making of "Antz," which is celebrating its 20th anniversary.
‘Manifest 99’ And The New World Of Animating For VR
Two animators from Flight School Studio reflect on the challenges of vr animation.
CASE STUDY: Why DitoGear’s Animator Cube Should Be An Essential Part Of Your Stop-Motion Toolkit
DitoGear offers essential gear for stop-motion animators. Here's our case study of how one animator used DitoGear's Animator Cube to create his latest project.
Henry Selick Looks Back On 25 Years Of ‘Nightmare Before Christmas’
With a new Blu-Ray release of the film debuting today, director Henry Selick shares stories behind the making of "The Nightmare Before Christmas" on its 25th anniversary.
How 2D Tools Let You Go 3D
The debate about 2d versus 3d animation is becoming increasingly irrelevant as more artists use an integrated 2d/3d approach thanks to the new generation of powerful animation tools.
Animation Plays An Important Role In The New Indie Drama ‘We the Animals’
First-time animation filmmaker Mark Samsonovich talks to Cartoon Brew about how he became the animation director of the new indie feature 'We the Animals.'
Interview: Milorad Krstić On His Action-Crime Thriller ‘Ruben Brandt, Collector’
On the day of the film's world premiere, director Milorad Krstić talks about his action-packed and intellectually stimulating animated thriller.
Who Did The Visual Effects For ‘Animal World,’ The Chinese Action Film Coming Soon To Netflix
Here's what you need to know about the Chinese film "Animal World," which had a big debut at the box office last weekend.
‘Who Framed Roger Rabbit’ Hits 30: A Look Back At ILM’s Astonishing Old-School Optical VFX
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
Annecy: Chile’s Hit TV Series ‘Paper Port’ Is Starting Pre-Production On A Feature (Exclusive)
We go behind the scenes of "Paper Port," the hit mixed-media animated series from Chile's Zumbastico.
‘The Triplets of Belleville’ 15th Anniversary: 7 Insights Into The Making Of A Contemporary Classic
Sylvain Chomet's modern animated masterpiece "The Triplets of Belleville" premiered in French theaters on this day 15 years ago.
Could These Be The Next High-Tech Tools That Animators Use Daily?
The prestigious SIGGRAPH computer graphics conference will include several animation-related technical papers.
What You Need To Do To Make A Metal Character Like Colossus From ‘Deadpool 2’
How Framestore took facial and body mocap and made the metallic Colossus for "Deadpool 2."
‘Ren & Stimpy’ Creator John Kricfalusi’s Apology Triggers Backlash From Victims
The apology that John Kricfalusi has issued to victims of his sexual misconduct is being described as "creepy," "rage-inducing," and "a big pile of manipulative crap."
How The Stand-Out Character in ‘Avengers: Infinity War’ Was Made By Two Separate Studios
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
How ‘Ready Player One’ Combined Virtual Production And Motion Capture Tools To Create Digital Characters
A look at the steps involved in "Ready Player One"’s virtual production paradigm.
‘A Quiet Place’ VFX Supervisor Scott Farrar On How The Film’s CG Creatures Were Redesigned With Just Two Months To Go
A desire to make the alien creatures scarier led to the last minute redesign for ILM.
Interview: Director Richard Lanni On ‘Sgt. Stubby,’ Opening In Theaters Today
The forgotten story of a true-life World War I hero on four legs is the subject of Fun Academy's first animated feature.
Remembering Fred Crippen: The Iconoclast Creator Of ‘Roger Ramjet’ Dies At 90
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
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