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Disney Has An AI Taskforce That Is Looking For Ways To Trim Ballooning Production Budgets
The group will study artificial intelligence and how it can be applied across Disney's many businesses, including production.
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‘Suzume’ Director Makoto Shinkai Praises Pixar’s ‘Elemental,’ Which Opened In Japan Last Weekend
Pixar's latest film continues to find admirers around the globe.
‘Praise Petey’ Character Designer Annalise Hollosy Talks Us Through An Exclusive Clip
The show was created by former Saturday Night Live head writer Anna Drezen and executive produced by Mike Judge and Greg Daniels.
Jim Korkis, Animation Author And Historian Who Specialized In Disney, Dies At 72
A prolific writer, Korkis wrote dozens of books related to animation and Disney history.
Animation Vet Carolyn Gair Talks Self-Producing Her Debut Feature ‘Return To Kellogg’ And The Best Advice She Got Along The Way
We caught up with Gair ahead of the film's North American premiere at at the Portland Festival of Cinema, Animation & Technology.
Miyazaki’s ‘The Boy And The Heron’ Will Open This Year’s Toronto International Film Festival
The September 7 opening night screening will mark the film's international debut.
Randy Fullmer, Effects Animator-Turned-Producer Of ‘Emperor’s New Groove,’ Dies At 73
Described as a "problem solver and genius" by 'Beauty and the Beast' director Gary Trousdale, Fullmer created the role of artistic coordinator on Disney animated features.
Tools Of The Trade: How Jamil Lahham Used VR Software Quill To Pay Tribute To A Classic Syrian Series
Lahham's short 'Rise and Shine' is an animated tribute to the 1970s Syrian program 'Sah Al-Noom.'
BREAKING: SAG-AFTRA Actors Join WGA Writers In Historic Double Strike
The double-strike could have a significant impact on next year's TAG contract negotiations.
How The Animation Channel DaFuq!?Boom! Became Youtube’s Biggest Hit This Summer
We spoke with the channel's creator – and only animator – who has launched to fame by creating the nightmarish meme-fueled viral sensation 'Skibidi Toilet.'
‘Ruby Gillman, Teenage Kraken’ Is Worst Dreamworks Opening Of All-Time
'Ruby Gillman' has entered the record books, but not for the right reason.
Australian Director Adam Parton On Challenges Faced By Immigrant Artists In The U.S.
Over the past decade Parton has built a life in the U.S., but without a green card it's still not quite home.
Tonje Skar Reiersen On The Epic Journey Behind ‘Titina’
Reiersen tells us what made Toon Boom Harmony the right tool for this job ahead of the film's U.S. streaming release on June 27.
Peter Sohn Explains How ‘Elemental’ Evolved From A Superhero Vs. Villains Story To Something More Personal (Video Interview)
"Some early versions of that were almost superhero movies essentially with fire powers and water powers to stop a villain," said Sohn, "but you didn’t feel anything. So we were just searching for that connection with the elements."
‘Across The Spider-Verse’ Artists Raise Concerns About Unsustainable Work Conditions
One of the anonymous artists said there is no way that ‘Beyond the Spider-Verse’ will be ready by its current March 2024 release date.
Mexico Is Creating A Digital Database To Protect Its Animation Heritage
Several titles spanning back to the 1930s have been digitized and were screened at this year's Annecy Festival.
Independent Animation Producers Share Tips On Surviving And Thriving In An Increasingly Global Industry
Without billions in backing or decades-old IPs, these indie producers are blazing a path in tv and feature animation.
As Pixar’s ‘Elemental’ Hits Theaters, We Highlight Our Favorite Depictions Of Fire And Water In Animation
Historian Vincent Alexander has put together a collection of fire and water animation that spans more than 90 years.
28 Newly Restored Walt Disney Animation Studios Shorts Are Headed To Disney+ In The Coming Months
Restorations were executed by Walt Disney Studios Restoration and Preservation team with support from Walt Disney Animation Studios.
‘Aladdin,’ ‘Moana’ Director John Musker Goes Indie With Annecy-Debuting Short ‘I’m Hip’
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
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