Disney’s Latest Animated Hit Is A Streaming Series In India
The second season of "The Legend of Hanuman" is currently the most watched streaming series on India's paid VOD services.
The second season of "The Legend of Hanuman" is currently the most watched streaming series on India's paid VOD services.
Research by Teikoku Databank shows revenue falling 1.8% amid the pandemic.
The spread of the Delta variant, coupled with vaccine mandates, may have done for the film's theatrical release.
The festival's tenth edition will be held virtually on September 7–11.
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
The sequel is directed by Amp Wong, one of the co-directors of "White Snake."
“The importance of receiving proper credit is relevant for us artists,” says Alvarez. “It’s our evidence for future and bigger opportunities."
The sequel's frantic mashup of studio IP is far from a slam dunk, say critics.
Galloway has carved out a niche creating stop-motion commercials with toys. He tells us how he got here.
The R-rated Netflix comedy is directed by "Archer" veteran Matt Thompson.
Disney also presented two other upcoming shows from white African creators at Annecy.
It's a big month for original films, with "Luca," "Wish Dragon," and "America: The Motion Picture" all set to debut.
One of the three projects is "The Monkey King," executive produced by Stephen Chow and directed by Anthony Stacchi ("The Boxtrolls").
Asia is the best-represented continent, with eight films in all.
Fox is embracing non-fungible tokens, the contentious tech that's shaking up the crypto and digital art worlds.
The Japanese studio has threatened legal action against those who threaten or defame its staff.
The young company aims to fund five projects a year in the $6M–$30M budget range, with a current focus on animation.
The family film, which is set in a world where humans and insects co-exist, riffs on classic detective stories.
The Mike Rianda-directed film has also notched six straights days at no. 1 worldwide.
Gina O’Melia traces the rise of the American Saturday morning cartoon and the challenge to its supremacy from anime shows.