‘Superjail!’ Creator Christy Karacas On Making The “Guzzle Blood” Music Video For Fellow RISD Alumni Les Savy Fav
Karacas and fellow RISD teacher Luca Depardon used multiple techniques to craft an epic battle between cats and robots for the video.
Karacas and fellow RISD teacher Luca Depardon used multiple techniques to craft an epic battle between cats and robots for the video.
Bakshi also gave us access to a trove of behind-the-scenes artwork and explained how his team brought life to Element City and its characters.
The nominees shared their favorite shots with us and explained what makes them special.
Ross Stringer's coming-of-age short 'Crab Day' won best British short animation and 'Poor Things' won best effects.
The BAFTAs unveiled its 2024 nominees today, including animated feature, British short animation, and vfx.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
Shortlisted directors describe their visual development approach and how they adjusted the style or techniques they'd used on previous work.
Shinkai opened up about his unique (mostly) solitary process of writing and developing films.
'Teacups' is the true story of Don Ritchie, who, for almost half a century, approached people contemplating suicide at the edge of a cliff near his home.
Disney may be the leading purveyor of safe, family-friendly entertainment today, but that hasn't always been the case.
A thrilling mix of horror and humor, 'Buzzkill' doesn't look like your typical monster flick.
The creator and EP also explains the changes his team made to adapt the Oscar-winning short as an animated series in 'Young Love.'
Vuillemin's short earned qualification at the Go Short International Short Film Festival after impressing at Zagreb and Berlin.
The Oscar-nominated filmmaker is back in the running with his latest short, a "love letter to the Andrews Sisters and 1940s animation."
The film had an impressive festival run over the past 14 months, winning honors at Annecy, Zagreb, and Fredrikstad.
CTA 5.1 introduces image sequences, a particularly exciting addition for traditional 2d animators who excel at free-hand sequence drawings
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
Three SVA Alumni Scholarship Award winners discuss their work and how it was influenced by their time at the school.
Director Fable Siegel tells us about the challenges of adapting a hit comic series and animating anthropomorphic cats.
You may not know its name, but you certainly know the melody.