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In New ‘Godzilla’ Film, Silhouette is King
Why vfx artists had to closely adhere to character silhouettes in "Godzilla: King of the Monsters."
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12 Cool New Pieces Of Animation Tech We Saw At SIGGRAPH 2018
Didn’t get to SIGGRAPH this year? Here’s a round-up of animation and vfx hardware and software announcements from the confab.
How The Stand-Out Character in ‘Avengers: Infinity War’ Was Made By Two Separate Studios
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
The Oral History of ‘Space Jam’: Part 2 – The Perils of New Tech
In Part 2 of our 20th anniversary oral history of Space Jam, the crew discuss tackling new techniques for 2D animation, and gearing up for the vfx.
A Conversation With Genndy Tartakovsky About ‘Hotel Transylvania 2,’ ‘Popeye,’ ‘Can You Imagine?’ and ‘Samurai Jack’
In a wide-ranging conversation, Genndy Tartakovsky talks to Cartoon Brew about the challenges of making "Hotel Transylvania 2" and what he's trying to do next.
‘Shaun the Sheep Movie’ Reviews Are Near Perfect
Aardman's adaptation of "Shaun the Sheep" is a critically acclaimed wonder. Will American audiences appreciate it?
Sony Pictures Animation Will No Longer Animate Its Films in the US
Animation and visual effects studio Sony Pictures Imageworks has confirmed what many in the industry had suspected for a long while: the studio is moving its headquarters from Los Angeles to Vancouver, Canada to take advantage of generous tax credits provided by the Canadian government. This move, combined with Digital Domain's jump to Vancouver and Rhythm & Hues' bankruptcy, prompted "Variety'"s VFX chronicler David S. Cohen to say that the Los Angeles feature film visual effects industry is "in full collapse."
SIGGRAPH Announces 2012 Production Sessions
Chicago, IL — SIGGRAPH 2012, August 5-9 at the Los Angeles Convention Center, just released an all-star line-up of production …
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