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Netflix To Release Five Animated Features This Summer, Including ‘Vivo,’ ‘America: The Motion Picture,’ And ‘The Loud House Movie’
The slate runs the gamut from singing honey bears to a chainsaw-wielding George Washington.
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‘Onward,’ Pixar’s First Original Feature Since 2017, Set To Open With $40–$50M
The film's global opening could break the $100-million mark, despite turmoil caused by the coronavirus.
‘A Surreal Lucid Nightmare’: The Making Of ‘Warhammer 40,000: Dawn of War III’ Trailer
As much a surrealist art piece as a game promo, the trailer for Warhammer 40,000: Dawn of War III is a unique accomplishment. Cartoon Brew takes a look at how it was made.
Duolingo Further Commits To Animation With Acquisition Of Second Studio
The new acquisition nearly doubles the size of Duolingo's Detroit-based animation operation.
Qvisten Animation Builds Future-Proof Pipeline With Z By HP Workstations
A closer look at how Norway's Qvisten Animation is powering their animation productions with HP technology.
‘One Piece’ VFX Supervisor Victor Scalise On How The Show Balanced Practical And CG Effects
Scalise told us when practical effects were preferrable, and when the digital artists at Framestore were required to deliver a scene.
‘The Super Mario Bros. Movie’ Reviews Roundup: Critics Consensus Says Illumination’s Latest Looks Good, But Is Narratively Shallow
Critics seem to agree that while the movie is fun, Mario is a pretty bland main character.
The Magnificent Voyage Of Tom C.J. Brown’s New Short, ‘Christopher At Sea’
“Isolated and alone in an industrial and hyper-masculine world, it’s the story of someone’s struggle to discover their truth,” says Brown.
Baobab Studios Makes Five New Hires, Including Oscar-Nominated Director Erick Oh
Baobab Studios has added two animation directors, two games directors, and a new director of marketing in its latest round of appointments.
The Russian Animated Series ‘Jinglekids’ Aims For Ambitious Visuals With A Small Team
Showrunner Anton Vereschagin shares the pipeline and tech challenges that come with producing a high-quality cg series in Russia.
In ‘Aquaman,’ Underwater CG Hair Was Surprisingly One Of The Toughest Effects
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
12 Cool New Pieces Of Animation Tech We Saw At SIGGRAPH 2018
Didn’t get to SIGGRAPH this year? Here’s a round-up of animation and vfx hardware and software announcements from the confab.
Upcoming Animated Series ‘Zafari’ Is Being Rendered Completely With The Unreal Game Engine
"Zafari'"director David Dozoretz on how his animated tv series is using real-time rendering - and the new possibilities that tv creators have with real-time rendered CG series.
Just How Did They Make Javier Bardem Look Like He Was Underwater in ‘Dead Men Tell No Tales’?
MPC made Captain Salazar appear underwater, even when he wasn't.
Can You Pick the Real Car in This Shot? Behind-The-Scenes of ‘The Fate of the Furious’
By the end of production, even the vfx artists and filmmakers had difficulty telling the real cars apart from the digital ones.
Why the Character Animation in ‘Kong: Skull Island’ Was Done Differently Than You Think
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
How They Pulled Off That Insane Swimming Pool Scene in ‘Passengers’
The vfx behind that zero-g swimming pool scene.
Ralph Bakshi’s “Christmas in Tattertown”: 25 Years Later
Earlier this year, we celebrated the 25th anniversary of "Who Framed Roger Rabbit." This month we celebrate the 25th anniversary of Ralph Bakshi's holiday special "Christmas in Tattertown," which premiered December 21, 1988 on Nickelodeon. The two projects are not entirely unrelated. Bakshi credited the success of "Who Framed Roger Rabbit" as the reason that he was able to get "Tattertown" greenlit for production.
Section23 Films Announces August Slate
THIS BOY CAN FIGHT ALIENS Available on August 14th HOUSTON, May 15, 2012 — Home video distributor Section23 Films today announced …
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