3 Animated Features, 4 Shorts Nominated For France’s César Awards
France's highest film honor has announced its nominations for the best French animation projects of 2018.
France's highest film honor has announced its nominations for the best French animation projects of 2018.
A new app turns iPhones into virtual cameras for cg production.
The director of "Incredibles 2" is the first major figure at Pixar to speak openly about John Lasseter.
Chris Melendandri is being recognized for the unstoppable success of his studio Illumination.
Paul King is the second director to pull out of Disney's "Pinocchio" remake.
See the complete list of nominations for the 2019 VES Awards.
Show co-creator Eric Robles says the series is not cancelled.
The program is described as "an experimental storytelling initiative that welcomes new creative voices at Pixar Animation Studios to share their stories."
Paramount Animation just became the new home of John Lasseter's films and they're not happy about it.
PAY ATTENTION TO THESE FILMS!
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
Brad Bird is singing a new tune.
Animation will play a huge role in Disney's 2019 output.
The film opens in the U.S. on February 22, 2019, but for those who can't wait, you've got some options.
Want to study how they constructed the story for "Spider-Man: Into the Spider-Verse"? Download a free copy of the script.
The director of "Tito and the Birds" speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
The audience's read on a character is "so influenced by how their hair looks," says ILM vfx supervisor Jeff White.
The bittersweet life story of a young girl who grows up to be a crazy old cat lady.