A Closer Look At Great Animated Title Sequences
In honor of Saul Bass’s birthday this month, we’re taking a look at some of the greatest animated title sequences from live-action movies.
In honor of Saul Bass’s birthday this month, we’re taking a look at some of the greatest animated title sequences from live-action movies.
Nothing can keep Americans from watching "The Emoji Movie."
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
In total, 17 films, series, and interactive works will host WIP presentations at this year's Annecy.
In honor of Women’s History Month, we’re highlighting just a few of the trailblazing women who made important contributions during the Golden Age of Animation.
These highlights of the year show that animation can tackle any subject, from sexual assault to Chile's military dictatorship.
Animated shorts that Academy voters should take some time to consider.
In the U.S., a full 17 films will be released day-and-date in cinemas and on HBO Max. The movie industry will likely never look the same again.
The director and star of Cartoon Saloon's powerful new work, "The Breadwinner," speak to Cartoon Brew.
Filmmaker and others who participated in the first-ever Animation is Film festival in L.A. speak about their experience with Cartoon Brew.
Why did the Academy invite a record number of animation artists to join their organization this year?
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.
Steve Hulett on everything from "Winnie the Pooh and a Day for Eeyore" to "Katy Caterpillar."
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Animator and filmmaker Michael Sporn, a man who represented the spirit and vitality of New York's animation scene as much as any other single individual, passed away from pancreatic cancer on January 19. He was 67.
First they took our Cocoa Pebbles, and now they want our cartoons! The WWE ponders its next move in animation.
Remember when animation used to be lively? Full of verve? Even — dare I say it — playful? I’m back with another sterling example of …