Drone. Stunt. Rave.
The latest in a series of short films inspired by “an obsessive passion for nonsense.”
How deliberate errors, unusual animation inputs, and ‘ugly’ simulations resulted in a one-of-a-kind animated short.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
Computer animation is known for its precision, but as Michael Fragstein shows, adding imperfections and abstraction into CG can be just as beautiful.
An MTV Animation studio alum who worked on the television shows Beavis & Butt-head and Daria, Brooklyn-based Willy Hartland is an …
Rok Predin’s Back in the Day is a nostalgic ode to childhood based on his memories of growing up in 1980s Slovenia. The project was …
Japanese design studio Tymote has finally answered the age-old question: What if Wassily Kandinsky used Cinema 4D?
Immerse yourself in the expressionistic atmosphere of Takuya Hosogane’s Assimilation. It was made using After Effects, Cinema 4D and …