The DreamWorks reboot will arrive on Netflix this June.
Executive producer Brendan Hay talks about how to play imminent demise for laughs in the new Netflix series ‘Dawn of the Croods.’
WBA president Sam Register executes a pair of high-profile promotions to mine existing properties as well as streamline daily business activities.
DreamWorks says that it is not a reboot of its abandoned project “Me and My Shadow.”
Minkoff’s Flying Tigers Entertainment has sealed a two-picture deal with China’s Le Vision Pictures, including an animated adaptation of ‘Wolf Totem.’
Netflix will launch the new DreamWorks series next week.
“Monster Hunt” is now the most financially successful Chinese film ever made.
Eleven technological advances, including work by Weta Digital, ILM, and DreamWorks, have been selected for further review.
A judge rule that animation artists can continue a case against studios which allegedly suppressed wages for decades through fraud.
China has a new all-time animation champ…and it’s a Chinese-made animated feature!
DreamWorks has finally found a viable business model: selling its studio campus over and over again.
Here’s a new clothing line for investment bankers and studio execs who want to pretend they like cartoons.
Nickelodeon and Norwegian Cruise Lines are breaking up.
Po re-unites with his father in the next installment of the “Kung Fu Panda” franchise.
An investment analyst asked DreamWorks execs why they’d gone creatively astray; this is what they told him.
The director of “Juno” and “Up in the Air” will make an animated feature based on the Caldecott-winning children’s book.
Their new cloud-enabled platform will allow indie producers to make work faster and more efficiently.
Animation projects created for Internet television dominated the 42nd annual Daytime Emmy Awards.
Festival director Thierry Frémaux continues to show his love for animation.
The struggle is real at DreamWorks.