Why is the animation in “Paddington” so convincing? Animator Oswald Iten breaks down the film’s techniques.
With over 60 Pokémon to design and a complicated approval pipeline, “Pokémon Detective Pikachu” was not your typical hybrid cg production.
Analyst are projecting an opening weekend of $50-65 million.
“Captain Marvel” had the sixth-biggest worldwide opening in history, and the second highest debut for a Marvel movie.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
Tim Burton’s remake of Disney’s “Dumbo” looks exactly like one imagines it would.
Warner Bros. is billing the hybrid “Pokémon Detective Pikachu” as the first-ever live-action Pokémon film, but let’s be honest: the real star of this film is animation.
If “Toy Story” were an adult drama…
Tim Burton is putting his spin on one of Disney’s most perfect animated features.
Through computer animation, a whole new dimension has been added to the denizens of Hundred Acre Wood.
How Framestore took facial and body mocap and made the metallic Colossus for “Deadpool 2.”
It’s “The Jungle Book”…again.
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
There are hundreds of visual effects shots in “Downsizing, but the film is certainly not a visual effects movie.
Who’s going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
With a little help from Framestore, Baby Groot stole the show in the opening battle scene of ‘Guardians Of The Galaxy Vol. 2.’
Experts in vr animation weigh in on what they’ve learned from working in the medium so far.
Animation dream job or sweatshop: this site can help you find the answer.
Disney’s live-action/cg remake of “Beauty and the Beast” is forty minutes longer than the original.
See the Hanna-Barbera classic in live-action.
Starting as a local screening event, Sommets du cinéma d’animation has turned into a significant international festival. We review the 2016 edition.
Baby Groot for the win!
Behind the scenes of the film’s biggest beasts.
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
The 15th edition of Montreal’s Sommets animation festival takes place next week.
“I’m looking east,” says the founder and CEO of Framestore.
New York City has a new mini-animation festival, and it’s taking place this week.
Neil Boyle and Kirk Hendry are attached to direct the feature based on the bestselling novel by Michael Morpurgo.
The massive success of this non-Hollywood family film has its producers thinking franchise.
The nominees for the 2015 BAFTA Film Awards, the British equivalent of the Academy Awards, were announced yesterday.
While the Academy still hasn’t released a shortlist for the visual effects category, we identify the frontrunners in this year’s Oscar race.
New “Paddington” trailer; more CGI Paddington grotesqueness.
SIGGRAPH has announced the winners of its 41st annual Computer Animation Festival. These projects will be shown amongst more than 100 pieces at the 2014 conference that will take place August 10-14 in Vancouver, Canada.
Based on Michael Bond’s 1958 children’s book “A Bear Called Paddington,” the live-action/CG hybrid “Paddington” tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
Based on Michael Bond’s 1958 children’s book A Bear Called Paddington, the live-action/CG hybrid Paddington tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
The jury is still out on whether we should call Alfonso Cuarón’s Gravity an animated film, but one thing we can call it with certainty …
The McLaren Group – the Woking-based family of high-tech companies that encompasses Formula 1 motor racing, …
A number of readers have written to ask who animated the shadow puppet-inspired “Tale of the Three Brothers” sequence in the new Harry …