In our latest podcast, the director of “Tom & Jerry” discusses the “education” he received in animation production on the hybrid feature.
When was the last time you saw the menopause depicted in animation?
An animation supervisor and a senior animator at Framestore discuss the challenges — and surprising upsides — of working remotely.
Universal hired a director who doesn’t know anything about animation to direct a film with lots of animated characters. What could go wrong?
Universal’s delayed hybrid feature will be released on January 17, 2020.
New research looks at gender, ethnicity, inclusivity, and pay in the U.K.’s animation, vfx, and post-production sectors.
Why is the animation in “Paddington” so convincing? Animator Oswald Iten breaks down the film’s techniques.
With over 60 Pokémon to design and a complicated approval pipeline, “Pokémon Detective Pikachu” was not your typical hybrid cg production.
Analyst are projecting an opening weekend of $50-65 million.
“Captain Marvel” had the sixth-biggest worldwide opening in history, and the second highest debut for a Marvel movie.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
Tim Burton’s remake of Disney’s “Dumbo” looks exactly like one imagines it would.
Warner Bros. is billing the hybrid “Pokémon Detective Pikachu” as the first-ever live-action Pokémon film, but let’s be honest: the real star of this film is animation.
If “Toy Story” were an adult drama…
Tim Burton is putting his spin on one of Disney’s most perfect animated features.
Through computer animation, a whole new dimension has been added to the denizens of Hundred Acre Wood.
How Framestore took facial and body mocap and made the metallic Colossus for “Deadpool 2.”
It’s “The Jungle Book”…again.