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‘My Good Boy’ director Sara Priorelli explains drawing love as something squashy, strange, and never quite explained in full.
Paper, thread, and a sheet of glass – Seun Yee speaks on how she spent eight months animating ‘Boundaries’ by hand, frame by frame.
Fresh off winning MIFF’s Best Australian Short prize, ‘Our Choir Has Always Been Travelling’ is about to hit the road.
A hot summer day shared by five neighbors as ‘Balconada’ director Iva Tokmakchieva speaks on turning a pandemic sketch into a MIFF standout.