Two weeks before Christmas, a major vfx shop in Vancouver has shut down.
Universal’s delayed hybrid feature will be released on January 17, 2020.
New research looks at gender, ethnicity, inclusivity, and pay in the U.K.’s animation, vfx, and post-production sectors.
In our round-up of articles, the senior crew explain how they created — and, in some cases, fudged — the film’s photorealism.
Two things are for sure: the remake of “The Lion King” is animated, and it’s going to do well at the box office.
Why vfx artists had to closely adhere to character silhouettes in “Godzilla: King of the Monsters.”
With over 60 Pokémon to design and a complicated approval pipeline, “Pokémon Detective Pikachu” was not your typical hybrid cg production.
Analyst are projecting an opening weekend of $50-65 million.
Who likes working overtime?
The new trailer for “Sonic the Hedgehog” has ignited an onslaught of negative reactions.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
With “Alita: Battle Angel” poised for release, we take a look at the state of play in photorealistic cg humans.
I’ll eat my shoe if this is a live-action film.
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
Tim Burton’s remake of Disney’s “Dumbo” looks exactly like one imagines it would.
Warner Bros. is billing the hybrid “Pokémon Detective Pikachu” as the first-ever live-action Pokémon film, but let’s be honest: the real star of this film is animation.
The animators and vfx artists delivered great work as usual, but the rest of Disney’s “The Nutcracker and the Four Realms” doesn’t live up, according to the film’s reviews.
Animated soldiers, mice, and other creatures populate the world of Disney’s upcoming holiday film.
Tim Burton is putting his spin on one of Disney’s most perfect animated features.