‘The Mitchells Vs. The Machines’ Is Netflix’s Biggest Animated Film To Date
The Sony Pictures Animation-produced film has been viewed by 53 million households in its first 28 days of release.
The Sony Pictures Animation-produced film has been viewed by 53 million households in its first 28 days of release.
Netflix and Disney dominated. Again.
Netflix and Disney+ dominate the animation and vfx categories with six nominations apiece.
Pixar’s “Luca” was the clear winner in the week of June 14–20, clocking up 1.57 billion minutes of viewing time.
Upcoming titles like “Minions: The Rise of Gru” and “Puss in Boots: The Last Wish” will be available in the U.S. on Netflix.
“As I see it, the problem is that Netflix, a company with vast resources, has started commissioning at low rates,” says Ichii.
The Texan studio’s credits include “Castlevania,” “Blood of Zeus,” and “Seis Manos.”
The R-rated Netflix comedy is directed by “Archer” veteran Matt Thompson.
July promises to be a huge month for animation streaming.
In all, streamers took 51 nominations against 43 for other platforms. Winners will be announced on July 17.
In a wide-ranging conversation, Appelhans explains why he ended up making the feature in China, rather than through the U.S. studio system, and reflects on what it means to be an American telling a story rooted in Chinese culture.
All African citizens can apply for this program, which offers three months of paid skills development.
The Netflix holiday special is directed by Aardman newcomers Dan Ojari and Mikey Please.
Yesterday, we reported out of Annecy on Inside Job, Netflix’s first in-house adult animation series. More news from that department: …
The show is created by tv veteran Shion Takeuchi, while “Gravity Falls” creator Alex Hirsch is executive rpdoucer.
The series will launch on July 4.
It’s a big month for original films, with “Luca,” “Wish Dragon,” and “America: The Motion Picture” all set to debut.
One of the three projects is “The Monkey King,” executive produced by Stephen Chow and directed by Anthony Stacchi (“The Boxtrolls”).
The venerable Japanese superhero finds himself fathering a baby monster in the film.
The Mike Rianda-directed film has also notched six straights days at no. 1 worldwide.