This Sunday In LA: You’re Invited To An ‘Ultraman: Rising’ FYC Screening, Q&A, And Reception

Animators and Mirrors

Though the work that animators create is often exhilarating, the actual process of animating, which involves sitting at a desk for hours …

‘Mouse in Transition’: And Then There Was…Ken! (Chapter 4)

I was back in Don Duckwall’s office, exchanging insincere smiles with him. I had been on “The Fox and the Hound” with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.

‘Mouse in Transition’: The Disney Animation Story Crew (Chapter 3)

Larry had me writing sequence scripts for “The Fox and the Hound,” which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman’s marathon story sessions, which often left me drained and dazed. There were also Woolie’s marathon take-selection meetings, which left me drained and bewildered.

‘Mouse in Transition’: Larry Clemmons (Chapter 2)

Disney’s head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing…and few buildings were being erected.

American Pooh Vs. Russian Pooh

Swiss animator Oswald Iten has written an enlightening analysis of the different approaches to narrative and characterization used by the …