I worked in Flash with a tablet. I’m not sure if the limitation of black, white, and grey was a conscious decision at first, but it just seemed right after a while. It definitely helped me with directing, and it also gave me the time I needed to animate the scenes needed for a proper climax, and some extra details here and there. I always found it to be the little things in cartoons that made me laugh the most.
The idea I started with is so different from the finished product that it could be its own thing. I had a basic storyboard laid out, but I always kept the ideas for the scenes kind of vague. I was making up the scenes as I animated — which is a creative process that I find natural, but it became kind of scary at times. As always, it helps to have friends or just somebody to help you keep going, or keep you from veering off-course.
I was reading a lot of comics by younger cartoonists during the time I started thinking of ideas, going through every MOME publication I was able to find. Because this was my first try at animating human-style characters with human-style faces, I figured comics were a good place to start for inspiration. I watched Cowboy Bebop before I started, and Akira during production.
My violent-video-game-filled childhood helped cement the theme, and I looked to my little brothers for inspiration as well. I was also heavily influenced by a RISD grad named Tom Deslongchamp, throughout the ages.
Eric Ko’s website
Eric Ko on Vimeo
The Cartoon Brew Student Animation Festival is made possible by the generosity of our presenting sponsor JibJab.