What’s the best way to promote a romantic comedy about prostitution? The producers of the 1963 Billy Wilder film Irma la Douce decided to advertise it with an animated trailer. They commissioned John Wilson and his studio Fine Arts Films to create the piece. Animation director Michael Sporn has scanned the trailer’s artfully designed, never-before-seen storyboards and posted them onto his blog. They can be viewed HERE and HERE.
I’m new to the work of Michel Klöfkorn, but he’s been creating music videos, commercials and experimental films in Germany since the 1990s. He’s a relentless experimenter whose animation techniques look familiar but foreign at the same time. Take, for example the first short after the jump, Fluid Paper. We’ve seen books used as the raw material for animation before, but Klöfkorn charts exciting new territory with the concept.
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Mathematician and video-maker Vi Hart exposes the mathematical impossibility of SpongeBob Squarepants pineapple:
The results are in from Cartoon Brew’s Oscar survey and the winners are Pixar’s La Luna in the Animated Short Category and ILM’s Rango for Animated Feature. The full results are below:
As an unfortunate sidenote, we had to end the survey a few days earlier than we’d anticipated because someone attempted to hack the survey over the weekend. Despite the system’s restrictions for allowing one vote per IP, a user with the IP 75.128.42.114 who lives in a residential neighborhood of Glendale, circumvented these safeguards. This person voted a total of 224 times, 221 of those votes for Kung Fu Panda 2. In a show of generosity, the other three votes were awarded to Puss in Boots. We eliminated all of those results and ended up with 618 legitimate ballots.
Watch the trailer for The Pub, the latest short by British animator Joseph Pierce. His rotoscope-based technique, which he’s used to powerful effect in shorts like Stand-Up and A Family Portrait, explores the expressive potential of live-action reference in ways that few have ever done.
In ancipation of Andrew Stanton’s (Finding Nemo, Wall-E) live action debut, John Carter, this clip of Bob Clampett’s 1936 John Carter of Mars test footage has recently gone viral (thanks to Geeks of Doom, io9 and The Animation Guild, among others):
Of course, longtime readers of Cartoon Brew know this clip comes off the 1999 Beany & Cecil The Special Edition (Vol. 1) DVD, which we have championed for years. I am happy to report Volume 1 was just re-released in a newly remastered version last month. You can only get it through the official Beany & Cecil.com website, and according to the site “the remastered disc has new menus and loads faster, adds Spanish tracks for all of the cartoons (except Beanyland) and several new audio commentaries by Clampett’s kids on three cartoons. There is also a recently discovered storyboard for an unproduced Clampett autobiographgical cartoon titled Cecil’s Scrapebook. What makes it really unique and strange is that it recounts Bob Clampett’s creative and “surreal” life in the person of Cecil.”
I can’t tell you how much I personally love the work of Bob Clampett. These DVDs (Volume 1 and Volume 2) are vital for anyone interested in classic Hollywood cartoons – or anyone who simply wants to laugh. I’ll end this post with one of my favorite Beany and Cecil cartoons (many are now available on You Tube’s Beany & Cecil Channel). I’d be hard pressed to pick my favorite B&C cartoon, but this one is in the top ten – one of the funniest, cleverest and coolest TV cartoons ever, The Wildman of Wildsville:
Here’s the perfect film for me to post in the middle of the night. Andres Tapeton’s graduation film from the Classical Animation program at the Vancouver Film School. It’s quite a trip. Tapeton wrote us to explain:
“This one is really personal, since it’s a representation of the most recurrent dream I have since childhood. I’ve been writing my dreams sporadically through the years, and I always joked when I was in school that some day I would make films out of them. And well, luckily my life brought me to the point that I actually know how to do that now, hah. And that’s why this one is just a prologue of what hopefully will become a personal animated project.”
On February 1st, indie animation rockstar Don Hertzfeldt kicks off a coast-to-coast 13-state US tour. The main event is the debut of It’s Such A Beautiful Day, which completes his ambitious trilogy about a mysterious man named Bill. Head to BitterFilms.com for ticket info, and go there quick because tickets have already sold out for a number of the cities.
Canadian cartoonists Seth Scriver and Shayne Ehman recently finished raising over $10,000 to complete their animated feature Asphalt Watches. They describe their collaborative two-man animated epic in the following way:
Asphalt Watches is a true adventure story: in 2000, we hitchhiked across Canada together. The animation captures our crazy journey, full of hilarious and amazing encounters. Using music and songs we make ourselves, alongside hand-drawn Flash animation, we tell the tale of making our way from a 7-11 near Chilliwack, BC where a guy was hanging out with a knife in his belly… to meeting one of only “two real Santas” in the world outside Calgary… to barely escaping death near Regina, SK. Our style is to turn real-life characters and settings into funny and poetic abstractions that depict the feeling and essence of what happened.
The film should be finished this year. There’s an official film blog and the trailer below:
(via Meathaus)
Actor/comedian Patton Oswalt (Ratatouille) will host the 39th Annual Annie Awards on Saturday, February 4th at UCLA’s Royce Hall. The annual event will begin with a pre-reception at 5 p.m. followed by the Annie Awards ceremony at 7 p.m. and an after-party celebration immediately following the ceremony. All events will be held at Royce Hall. And for the first time ever, Cartoon Brew will live stream the event!
This year’s Winsor McCay recipients are Walt Peregoy, Borge Ring and Ronald Searle. Searle’s award will be posthumous, as he passed late last year at the age of 91. Other animation luminaries and voice actors scheduled to present awards include Ty Burrell, JK Simmons, James Hong, Jib Jab founders Greg and Evan Spiridellis, Tara Strong, Daran Norris, Dee Bradley Baker and animation legend June Foray – among others to be announced.
For complete ticket information and up-to-the minute details on the 39th Annual Annie Awards, please visit www.annieawards.org or the new Annie Awards Facebook page. And remember, if you can’t be there in person, Cartoon Brew will live-stream the ceremony from 7pm PST (10pm EST). Now you have no excuse to miss this event!
Stephen Colbert’s two-part interview with Where the Wild Things Are author/illustrator Maurice Sendak easily ranks as the most entertaining interview I’ve ever seen with a children’s book author. I’m sure it’ll be much discussed at the Society of Children’s Book Writers & Illustrators winter conference, which starts tomorrow in Manhattan.
With no clear frontrunners in either the Best Animated Feature or Short categories, it’s time to call upon the wisdom of the animation masses. Tell us what films you think SHOULD win the animation Oscars this year. We’ll keep the survey open for a week until everyone has had a chance to make their voice heard.
GO TO THE SURVEY PAGE >>>
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Over the last seven years, with quiet persistence and unwavering dedication, French animation historian Didier Ghez has been publishing one of the most important animation history documents of our time. His book series, Walt’s People: Talking Disney With The Artists Who Knew Him, is an incredible accomplishment that casts new light onto the operation of the Walt-era Disney Studios. Each edition of this ever-growing interview anthology series reprints rarely seen and unpublished interviews with Disney artists, both famous and unknown.
Didier’s newest volume, the eleventh in the series, is also the largest to date, weighing in at over 600 pages. The historians who have contributed interviews are a who’s who of Disney research royalty. The volume is expansive and extends to a handful of contemporary figures who didn’t personally know Walt (Ed Catmull, Brad Bird, Glen Keane), but who have absorbed the Disney tradition into their work.
In fact, the sheer scale and scope of this volume guarantees something for everybody. The interview subjects are Ray Aragon, Frank Armitage, Brad Bird, Carl Bongirno, Roger Broggie, George Bruns, Ed Catmull, Don R. Christensen, Andreas Deja, Jules Engel, Joe Hale, John Hench, Mark Henn, John Hubley, Glen Keane, Ted Kierscey, Ward Kimball, I. Klein, Mike Lah, Eric Larson, Ed Love, Daniel MacManus, Tom Nabbe, Carl Nater, Dale Oliver, Walt Pfeiffer, Jacques Rupp, David Snyder, Iwao Takamoto, Shirley Temple, Frank Thomas, Ruthie Tompson, and Richard Williams.
Walt’s People #11 is available for $25 on Amazon
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Okay, here’s another post for the animation historians.
Animation pioneer Max Fleischer was an inventor and he was passionate about science and modern technology. When his cartoon studio became established in the 1920s he created several educational films for various clients – not to mention extra-length films devoted to Einstein’s Theory of Relativity and Darwin’s Theory of Evolution (both in 1923). Many of these industrial films are lost.
AT&T has dug into its archives an unearthed a pair of sponsored films Bell Telephone commissioned from the Fleischer studio. Fleischer actually produced four nontheatrical titles for the phone company (How the Telephone Talks, 1924; That Little Big Fellow, 1927; Now You’re Talking, 1927 and Finding His Voice in 1929), but AT&T has posted two. Both are pretty rare – I’d never seen That Little Big Fellow myself. They are meant to educate and inform, and are not as inventive (or comedic) as the Koko the Clown theatrical shorts, but are fascinating nonetheless.
So, if you want to learn a little about the science of telecommunications in the 1920s, here are two of Fleischer’s finest. Thank you AT&T.
King Features has collaborated with rock band Wilco on a comic strip/music video tie-in with Popeye. The sailorman and his crew crossed over in last Sunday’s comic strip (1/22/12 by Frank Caruso and Ned Sonntag) and joined the group in this animated music video (embed below), directed by urban fashion designer Darren Romanelli and animated in Singapore by Peach Blossom Media.
