The Oregonian offers an interesting interview with Platform Animation Festival director Irene Kotlarz. She offers some bold thoughts in the discussion, including this comment about what sets Platform apart from other animation festivals:
It was decided early on that it would be a 21st-century festival, and that would make it different from the other animation festivals out there. They’re all based, in my view, on a premise that grew up around the time of the first animation festival, which was in Annecy, France, in 1960. That premise is really based on theatrical screenings of animated shorts and features and around the idea of animators as auteurs — real postwar European arthouse cinema with art with a capital “A.” The Cold War was a big influence back then, and there was this idea of animation as the universal language. So a big theme was man’s inhumanity to man, and you saw lots of what I call the “naked bald man film,” with arctic wind on the soundtrack. Most festivals are still pushing the idea of the single artist. But we’re trying to make a major departure from that kind of thinking. I’ve always taken the view that there’s a larger historical and cultural context to art, and the context now is totally different. Now we have the Web and video games; the computer revolution has finally happened. And I think that at a lot of festivals, Internet animation is a poor relation. But we’ve gone out of our way to see that they get the same status as traditional animators.