‘Mouse in Transition’: Detour Into Disney History (Chapter 6)

Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making “Snow White,” “Pinocchio,” and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.

‘Mouse in Transition’: The Disney Animation Story Crew (Chapter 3)

Larry had me writing sequence scripts for “The Fox and the Hound,” which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman’s marathon story sessions, which often left me drained and dazed. There were also Woolie’s marathon take-selection meetings, which left me drained and bewildered.

Michael Sporn, A Passionate Film Director, RIP

Animator and filmmaker Michael Sporn, a man who represented the spirit and vitality of New York’s animation scene as much as any other single individual, passed away from pancreatic cancer on January 19. He was 67.