The biggest collection of material ever from the production of the seminal Disney film ‘Pinocchio’ is currently on display in San Francisco.
Culhane also inspired the character of Flying John in “Fantasia/2000.”
“The Who, the What, and the When” is a new book by Jenny Volvovski, Julia Rothman and Matt Lamothe that celebrates the “secret sidekicks of history” who propelled famous historical figures to greatness.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making “Snow White,” “Pinocchio,” and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
I was back in Don Duckwall’s office, exchanging insincere smiles with him. I had been on “The Fox and the Hound” with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Larry had me writing sequence scripts for “The Fox and the Hound,” which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman’s marathon story sessions, which often left me drained and dazed. There were also Woolie’s marathon take-selection meetings, which left me drained and bewildered.
Believe it or not, one of the best online sources for animation history buffs is YouTube. Amazing and rare materials, often digitized from private film collections, is posted regularly on the streaming site. You just have to know where to look.
Rowland Emett, one of the greatest British cartoonists of the previous century yet mostly forgotten today, is finally getting his due. The Birmingham Museum in England will open “Marvellous Machines: The Wonderful World of Rowland Emett” on May 10.
Animator and filmmaker Michael Sporn, a man who represented the spirit and vitality of New York’s animation scene as much as any other single individual, passed away from pancreatic cancer on January 19. He was 67.