My favorite publisher Chronicle Books just put out their Fall/Winter 2012 catalog and they’re releasing more animation and cartoon-related books this holiday season than ever before. Below are the six titles (including one by myself) that will be of interest to Cartoon Brew readers, followed by the catalog pages with images and descriptions of each book.

The Art and Making of ParaNorman by Jed Alger
August 2012, Pre-order for $21.74.

Sketchtravel by Gérald Guerlais and Dice Tsutsumi
September 2012, Pre-order for $23.52.

The Art of Wreck-It Ralph by Maggie Malone and Jennifer Lee Monn
November 2012, Pre-order for $21.74.

Imagination Illustrated: The Jim Henson Journal by Karen Falk
November 2012, Pre-order for $16.27.

Full Steam Ahead!: The Life and Art of Ward Kimball by Amid Amidi
November 2012, Pre-order for $29.70.

The Art and Making of Peanuts Animation by Charles Solomon
December 2012, Pre-order for $20.83.

April 2, 1934. Seventy-eight years ago to the day, a twenty-year-old kid started working at Walt Disney Productions. His name was Ward Kimball, and animation hasn’t been the same ever since. This fall, I’m celebrating his life in Full Steam Ahead: The Life and Art of Ward Kimball, a coffeetable book that is as much a how-to manual on being a creative innovator as it is a biography of a fascinating individual.

I announced the book last September, and I’m pleased to report that it’s finally available for pre-order on Amazon. The first printing of my previous book for Chronicle Books, The Art of Pixar, sold out in five weeks because of the short print run. The print run for the Kimball bio is similarly limited, so I’d recommend jumping on this if you want a first edition.

Here’s the official jazz from my publisher:

“Ward’s the one man who works for me I call a genius,” Walt Disney once noted. Ward Kimball’s career as an animator and Academy Award-winning director at Disney between the 1930s and the 1970s is legendary, but the work he created outside of the animation studio was equally fascinating, including building a functioning full-size railroad in his backyard and founding a successful jazz band. Director Brad Bird states in his foreword to the book that “Amidi’s meticulous research into Kimball’s life and work…gives a first-time glimpse into the life of one of the true kings of character animation.” With unprecedented access to his personal archives and private journals, celebrated animation historian Amid Amidi unearthed hundreds of never-before-seen drawings, paintings, comics, letters, and photos, including concept art and stories from his occasionally turbulent career at Disney. Featuring interviews with dozens of Ward’s colleagues, relatives, students, and friends, Amidi paints a complex portrait of one of animation’s most irreverent and influential artists in this definitive must-have biography.

Advance praise for Full Steam Ahead from John Canemaker, Oscar-winning animation filmmaker and author of Walt Disney’s Nine Old Men & The Art of Animation: “Capturing Ward Kimball’s long, lusty, eclectic personal and professional life on the printed page is like seizing lightning à la Pecos Bill, a character Kimball once animated brilliantly.  Author Amid Amidi lassoes the electric, essential Ward Kimball in all his turbulent multifaceted glory in this profusely illustrated, extraordinarily candid biography.  The full, intimate portrait that Amidi skillfully paints is supported by impeccable research, including Kimball’s private diaries.  Writing with insight, passion and compassion about his mercurial subject, Amidi takes readers directly into the life and private thoughts of a uniquely modern Renaissance man whose contributions continue to resonate in American popular culture.”

Pre-order on Amazon for $29.70.

As Ward Kimball’s biographer, I am obligated to share with you this post on Progress City, U. S. A. that talks about the time Ward oversaw the animation of John Carter of Mars as part of his TV special Mars and Beyond.

It’s a matter of personal taste whether you prefer Ward Kimball’s vision of a thoat:

Or Andrew Stanton’s vision of a thoat:

How much is a personal painting by Disney animation legend Ward Kimball worth? Watch the segment above. The painting, owned by animation artist Jim Clark, was featured tonight on an episode of Antiques Roadshow. The appraiser, Leila Dunbar, really knows her Disney history. It’s not mentioned in the program, but Ward originally gave the painting to his unit animator Julius Svendsen as a gift.

I’ve nearly wrapped up my Ward Kimball biography, but to get it just right, I need a handful of images related to his key characters. Please get in touch, if you can provide a hi-res scan of photostat models or animation drawings related to the following characters:

* Matador from Ferdinand the Bull
* Mad Hatter, March Hare, Cheshire Cat
* Jiminy, particularly the two images below
* Lucifer, particularly the one below

The future of animation books, like the rest of the publishing industry, isn’t rosy. Page counts and print runs are shrinking, and publishers seem more reluctant than ever to take risks with unconventional subject matter. Despite the uncertainty, there is still a fairly promising line-up of animation-related titles being released in 2012, including a much-needed biography of the McKimson brothers (most notably Bob, but also Chuck and Tom), the definitive history of UPA, and an intriguing flipbook project by Up and Monsters, Inc. director Pete Docter. My list below is by no means complete. Publishers still haven’t released their winter ‘12 titles, and others books will certainly pop up throughout the course of the year. If you know of other animation-related titles coming out in 2012, please comment below.

FEBRUARY 2012

Character Mentor: Learn by Example to Use Expressions, Poses, and Staging to Bring Your Characters to Life by Tom Bancroft, foreword by Adam Hughes (Focal Press).

Book description: You’ve researched your character extensively, tailored her to your audience, sketched hundreds of versions, and now you lean back content as you gaze at your final character model sheet. But now what? Whether you want to use her in an animated film, television show, video game, web comic, or children’s book, you’re going to have to make her perform. How a character looks and is costumed starts to tell her story, but her body language reveals even more. Character Mentor shows you how to pose your character, create emotion through facial expressions, and stage your character to create drama. Author Tom Bancroft addresses each topic with clear, concise prose, and then shows you what he really means through commenting on and redrawing artwork from a variety of student “apprentices.” His assignments allow you to join in and bring your drawing to the next level with concrete techniques, as well as more theoretical analysis.Character Mentor is an apprenticeship in a book. Professional artists from a variety of media offer their experience through additional commentary. These include Marcus Hamilton (Dennis the Menace), Terry Dodson (X-Men), Bobby Rubio (Pixar), Sean “Cheeks” Galloway (Spiderman animated), and more.

Animation.CH: Vision and Versatility in Contemporary Swiss Animated Film by Christian Gasser (Benteli Verlags).

Book description: Swiss animated film is currently in one of its most productive, ambitious and successful historical periods. Never before have so many films been made and never before have these films enjoyed such international success. At the centre of animation.ch are conversations with 20 film makers who represent the variety and uniqueness of Swiss animated film – from short author films to children’s productions, from television series to feature film projects, not to mention art and commercial productions. animation.ch explores the development of Swiss animated film over the last 20 years, examines current trends and looks at what’s to come in the future. With Georges Schwizgebel, Jonas Raeber, Samuel and Frédéric Guillaume, Ted Sieger, Yves Netzhammer, Claudius Gentinetta, Claude Barras, Isabelle Favez, Jadwiga Kowalska, Rafael Sommerhalder, Adrian Flückiger, Marina Rosset, Basil Vogt, Dustin Rees, Zoltán Horváth,Izabela Rieben, Maja Gehrig, Anne Baillod, François Chalet and Claude Luyet.

MARCH 2012

The Art of John Carter: A Visual Journey by Josh Kushins (Disney Editions). Artwork from the first live-action feature by Andrew Stanton (Finding Nemo, Wall-E). Not necessarily animation-related but of likely interest to fans of Stanton’s Pixar films.

When Magoo Flew: The Rise and Fall of Animation Studio UPA by Adam Abraham (Wesleyan University Press). Read our preview of When Magoo Flew.

Animating the Unconscious: Desire, Sexuality and Animation by Jayne Pilling (Wallflower Press). British animation historian Jayne Pilling has also compiled a three-part DVD series focused on the same theme.

This Sweater Is for You!: Celebrating the Creative Process in Film and Art with the Animator and Illustrator of “The Hockey Sweater” by Sheldon Cohen (ECW Press).

Book description: One of the most beloved stories of all time—The Hockey Sweater—is celebrated in this heartfelt recollection. Reflecting on the original short story and mortifying real-life moment that started it all, the account relates how the resulting film is as much about childhood emotions and the desire to fit in as it is about hockey, the clash of cultures, and a harkening to bygone times. Canada’s tireless devotion to the film is illustrated, emphasizing how it is also loved by many more around the world. Delving into the artist’s notebooks, photographs, and memories, this record recreates the movie’s entire development, journeying back to the people and places that inspired its original imagery. The director’s additional films and illustrations are also explored, chronicling a 40-year career and providing rich insights into the creative process.

MAY 2012

“I Say, I Say . . . Son!”: A Tribute to Legendary Animators Bob, Chuck, and Tom McKimson by Robert McKimson Jr., foreword by John Kricfalusi (Santa Monica Press).

Book description: The first survey dedicated to the work of the McKimson brothers, this book offers a rare behind-the-scenes look at the upper echelon of 20th-century animation and examines the creative process behind the making of numerous popular characters and classic programs. Featuring original artwork from the golden age of animation, this book includes a wealth of material from many professional archives—screen captures, original drawings, reproductions of animation cels, illustrations from comic books, lobby cards, and other ephemera from the author’s collection—while surveying the careers of three groundbreaking animators whose credits include Looney Tunes, the Pink Panther, and Mr. Magoo. Beginning in the 1920s and then tracing the brothers’ work together at Warner Brothers Cartoons in the following decades, this history details Robert McKimson’s creation of such beloved characters as Foghorn Leghorn, the Tasmanian Devil, and Speedy Gonzales; Tom McKimson’s work at Warner Brothers, Dell Comics, and Golden Books; and Chuck McKimson’s long career working in comic books and then later at Pacific Title, creating animated film titles and commercials, including his award-winning work on Music Man, Cleopatra, and The Sound of Music.

Ray Harryhausen’s Fantasy Scrapbook: Models, Artwork and Memories from 65 Years of Filmmaking by Ray Harryhausen and Tony Dalton, foreword by John Landis (Aurum Press).

Book description: Designed in the form of a scrapbook, this visual feast for Harryhausen fans reveals models from unrealized projects, such as dinosaurs from the unfinished film Evolution; prints of outtakes from various films; early concept drawings and storyboards; color transparencies of Ray at work; written artifacts such as letters, production budgets, and a diary that details Ray’s first meeting with his mentor Willis O’Brien; early film treatments and script extracts; publicity posters and brochures; and more. Some items show Ray’s earliest artistic endeavors such as watercolors painted when he was 15 years old and marionettes of creatures from King Kong that he made when he saw the film in 1933. The result is a treasure trove of rare artifacts and material which not only offer new insights into how Ray created particular effects, but bring the worlds of his films to life in a new way and paint a fascinating visual portrait of the man himself and his creative imagination.

Animation Under the Swastika: A History of Trickfilm in Nazi Germany, 1933-1945 by Rolf Giesen and J. P. Storm (Mcfarland & Co.)

Book description: Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels’ efforts to establish a German cartoon industry to rival Walt Disney’s and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts–advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt’s controversial description of those who perpetrated the Holocaust: the banality of evil.

JUNE 2012

The Art of Brave by Jenny Lerew (Chronicle Books)

Robots Feel Nothing When They Hold Hands written by Alec Sulkin, Artie Johann, and Michael Desilets, and illustrated by Joe Vaux and Dominic Bianchi (Chronicle Books). It’s described as an “R-rated picture book of jokes” by writers and artists who work on Family Guy. Expect 192 pages of this.

AUGUST 2012
The Toy Story Films: An Animated Journey by Charles Solomon (Disney Editions)

SEPTEMBER 2012
Animation Flipbook Box Set by Pete Docter (Disney Editions)

FALL 2012
Imagination Illustrated: The Jim Henson Journal by Karen Falk (Chronicle Books). Book description: Compiled directly from the Henson workshop archives, this elegant and inspirational gift book adapts the diary that Jim Henson faithfully kept throughout his career, collecting rare sketches, concepts, photographs, and ideas from the creator of the Muppets and one of the twentieth century’s most influential artistic talents. Throughout, archivist Karen Falk offers behind-the-scenes details and insights into Henson’s writings and drawings and offers insights into Henson’s life, his magical creations, and the artistic process.

Part of a Complete Breakfast: Cereal Advertising Characters of the Baby Boom Era by Tim Hollis (University Press of Florida).

The Fairest One of All: The Making of Walt Disney’s “Snow White and the Seven Dwarfs” by J. B. Kaufman (Walt Disney Family Foundation Press).

Full Steam Ahead: The Life and Art of Ward Kimball by Amid Amidi, foreword by Brad Bird (Chronicle Books). This is my own book, which I’ve been working on for the past five years. I announced the project a few months ago.

Ward Kimball and family show you the proper way to do a Christmas card family photo:

I’m sure that after all my incessant musings and ramblings about this guy, some readers have already figured out that something’s up. So I’m excited to officially announce today that I’m working on a biography about the legendary Disney animator and director Ward Kimball.

It’s not always easy to pinpoint where an idea originates, but this one is fairly clear-cut. It happened in the fall of 2000, when I visited Ward at his home for an interview. After we had spoken, he took some time to show me around his place, and when we went to his storage shed, he began pulling out boxes of his artwork. But these weren’t familiar animation drawings of Jiminy, Lucifer or the Mad Hatter as one might expect. He wanted to show me his personal paintings and drawings. Then he pointed to a few of his moving assemblage pieces, which he called “kinetics,” sitting in the corner. They were dusty and had seen better days, but after seeing these pieces, it began to dawn on me that Ward wasn’t just one of the greatest animators of his generation, he was a modern-day Renaissance man.

To make a long story short, nothing happened at the time and Ward passed away a year-and-a-half later. My interest in his work was rekindled when I started writing books a few years later. While researching Cartoon Modern, I encountered Ward’s work again, this time in his role as the rebellious director who was dragging the Disney studio into the thick of the mid-century animation design movement. When Cartoon Modern was done, I determined that my next book would be about him. My friends at Chronicle Books who had placed their trust in me for Cartoon Modern took the plunge again and commissioned the biography.

It’s been almost four years since the book was greenlit. During this period, I’ve been incredibly lucky to collaborate on book projects with the fine folks at Pixar (twice!), as well as with uber-talents Peter de Sève and John Kricfalusi. Throughout these projects, I’ve chipped away at the Kimball bio. It’s been more challenging than I ever imagined to explore all the passions in Ward’s life and how they fit together—his music, his trains, his animation, his directorial work, his personal art. . .they all played a role in defining who he was as a person.

My hope is that the book will offer a nuanced portrait of Ward, both as an artist and a person. Besides offering a thorough account of his achievements in the form of a 60,000-word manuscript, the book will be a true visual celebration with hundreds of never-before-seen photos, documents and drawings from his personal collection. The Kimball family has been supportive throughout and has provided access to all of Ward’s personal files, photos and diaries, which I’ve combined with new research and interviews. I also had the privilege of speaking with Ward’s delightful wife Betty on multiple occasions before her death last year. The book, a 240-page hardcover, should be out in the second half of 2012.

Since the book isn’t completely finished yet, I should mention that if any readers have unique Kimball artwork or ephemera in their collections, please get in touch with me. To keep abreast of the project or to just talk Ward, subscribe to the Ward Kimball Facebook fan page or Ward’s Twitter account.

First, a research request, because if Cartoon Brew’s readers can’t help out with this one, I don’t know who can. I’m looking for two episodes of Walt Disney’s Wonderful World of Color that Ward Kimball was heavily involved with: “A Salute to Alaska” (1967) and “The Mickey Mouse Anniversary Show” (1968). If you have copies of these and can help out, please contact me HERE. (UPDATE: Got the Anniversary Show, only looking for the Alaska special now.)

Second, here’s a real Ward Kimball curio: a 1965 newspaper article about a panel discussion that he participated in at the Los Angeles County Museum of Art. CLICK HERE to read the article (and try to ignore the poor quality of the iPhone photo).

What’s so odd about Ward’s participation is that the topic of the debate was “Is Couture Design an Art Form?” It’s hard to imagine many other animators from that time who would have had the curiosity and interest to participate in such a discussion. The other panelists at the talk were equally respected in their fields: fashion designer Gustave Tassel, architect George Vernon Russell and silkscreen artist Sister Mary Corita. The debate over whether fashion design is art or not has long been settled (see the record-breaking success of the recent Alexander McQueen exhibit at the Met), but nevertheless, it’s fun to read their thoughts and gain some historical perspective on the issue.

Here’s an Independence Day fashion suggestion from this patriotic animator.

The don’t-miss clip of the week: a 1970 appearance by “casting director” Ward Kimball on the NBC daytime game show Lohman and Barkley’s Namedroppers. Bob Cummings, Ruth Buzzi and Bob Newhart also appear. Ward’s appearance was in conjunction with his short It’s Tough to be a Bird and took place sixteen years after his appearance on You Bet Your Life:

(Thanks, Bill Storts)

I was thinking recently how wonderful it would be if the Disney Company compiled a Blu-ray Treasures collection of projects directed by Ward Kimball. To be honest, it’s hard to imagine a project like this ever happening, especially under the (dormant) Treasures label where the only name promoted is Walt’s. Still, I can’t help but think there must be some way for the Disney company to recognize the work of its most original and experimental director, or in the words of Walt Disney, “the one man who works for me I call a genius.” Ward has inspired everybody from Hayao Miyazaki to Chris Sanders, and it’s high time to introduce his work to new generations.

Some will point out that a decent amount of Ward’s work is already available: Toot Whistle Plunk and Boom and Melody appeared on the Disney Rarities DVD, and the space specials and Eyes in Outer Space were featured in the Tomorrow Land Treasures. However, a lot of Ward’s most memorable work as a director, including some of the studio’s oft-requested cult favorites, have never been released onto DVD. The majority of these works are from his later period when he was at his satirical peak. As an exercise in wishful thinking, here’s what my ideal Ward Kimball collection would include:
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