‘Trolls Band Together’ is a jam-packed aural and visual experience that incorporated the input of artists throughout the studio.
“A lot of people have a lot of ideas how [Ruby] should be living her life and this journey she goes on is figuring out how she wants to,” says director Kirk DeMicco.
Directors Nick Bruno and Troy Quane and creator ND Stevenson spoke to INBTWN Animation about their film, streaming on June 30.
We caught up with director Sean Charmatz in Annecy, who revealed details on the upcoming feature.
Adapted from the book “Julián Is a Mermaid,” the film will feature hand-drawn animation and a bit of magic.
“This is a story about mortality,” says director Joel Crawford of “Puss in Boots: The Last Wish,” a sequel that pushes beyond the original film.
“I wanted to have evidence of [stop motion’s imperfections],” says Selick. “I think the audience needs to work a little bit to make the magic real, but then the movie means more to them.”
‘Luck’ director Peggy Holmes discusses the process of creating and developing Skydance Animation’s first animated feature.
Talking Editing With ‘Making The Cut At Pixar’ Authors Bill Kinder And Bobbie O’Steen.
Cartoon Brew’s Cole Delaney documents his first in-person trip to the world’s biggest international animation festival.
Director Chris Williams discuss the cinematic influences behind The Sea Beast, and how working on Moana prepped him for this film.
Watch the directing duo of Lilo & Stitch reminisce about the creation, development, production, and enduring legacy of the Disney classic.
Against all odds, this self-taught group of filmmakers is producing a traditionally-animated feature film in Pakistan..
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks’s The Bad Guys.
“Encanto” could have easily become a Mirabel and Bruno buddy story, but “from the beginning we knew we didn’t want to fall into that trope,” explained Byron Howard.
The crew tell us how they set about adapting the hit game into an animated series with lush production values.
Morgan Galen King and Philip Gelatt started the film as a self-funded passion project. Eight years later, it’s in the running for an Oscar.
Watch directors Don Hall and Carlos López Estrada, alongside co-writer Qui Nguyen, talk about developing the tone and style of the Disney film.
Eric Wong, a production designer on Mamoru Hosoda’s new fantasy epic, speaks about designing the film’s vast virtual world.
We speak to Joe Mateo, director of Skydance Animation’s new short “Blush,” as well as revisit some of the month’s most interesting stories in the animation world.
The showrunner of Netflix’s new satirical series talks conspiracies and creative collaborations.
The exuberantly experimental indie feature is out in theaters and on video on demand.
In a wide-ranging conversation, Appelhans explains why he ended up making the feature in China, rather than through the U.S. studio system, and reflects on what it means to be an American telling a story rooted in Chinese culture.