“Animation Sketchbooks” Book Review and Gallery

You will discover many types of sketchbook keepers within these pages. You will find early ideas plotted out, sometimes repeatedly until their purpose becomes clear, thumbnail sketches of developing characters, mini storyboards scratched out in a hurry. There are those who try out new mark-making techniques, searching for the next film’s look. Others use the pages to doodle mindlessly as a kind of artistic respite, their work here unrelated to their film projects. Some keep a book like a travelogue, carrying it with them on all of their adventures…Others, such as Luis Cook, treat their sketchbook like a reliquary, part scrapbook, part personal project.

My only gripe about this otherwise commendable project is that the film stills took up an excessive amount of space in the book. When an artist like Koji Yamamura only has six pages, it’d have been preferable to not see a third of that space devoted to film stills. The reason for their inclusion—to connect the sketches to filmmaking practice—is perfectly valid, but the stills could have been presented in a way that didn’t consume large chunks of space that would have been better devoted to the book’s main selling point: the hard-to-see sketchbooks.

Not only will this book introduce the reader to names worth knowing in independent animation, it will inspire and challenge any artist with a non-commercial streak to push their own craft further. That, in itself, makes it a recommended purchase.

Order Animation Sketchbooks for $36.07 on Amazon