Six Point Harness Appoints Musa Brooker As Creative Director
The veteran animator and filmmaker joined the studio last year to work on an as-yet-undisclosed series.
The veteran animator and filmmaker joined the studio last year to work on an as-yet-undisclosed series.
The U.K. company has also signed with L.A.’s Creative Artists Agency “to help identify and develop global partners for its business.”
Naito has overseen the running of Nickelodeon’s animation business since 2018.
The veteran executive, who helped develop shows including “Adventure Time” and “The Fairly Oddparents,” is returning to independent production.
Combined, the two studios he’s leading currently produce more than 30 series.
Mayer left a top role at the Walt Disney Company to lead Tiktok, but Donald Trump had other plans for him.
Helmer will work to “accelerate racial and cultural diversity and inclusion” in kids’ programming.
The company calls it a “radical shift in studio working structure.”
The studio says it intends to hire back employees when it can safely have the crew back in its buildings.
On the upside, the Disney+ streaming service has passed 60 million subscribers in less than nine months.
The company’s reboot strategy will be led by Fox and Marvel veteran Grant Gish.
What gives the city an edge — and what threats does it face?
Ottawa’s Mercury Filmworks is operating at only 75% capacity during the pandemic.
Skydance Animation scores with another high-profile hire on the management side.
Dreamworks veteran Gabriele Pennacchioli is on board as executive producer.
Bron Digital will emphasize virtual production workflows.
The prospect of tv reform is worrying producers, including animation studios.
Quibi denies the estimates, but there’s little question that the company’s offerings aren’t resonating with viewers.
Toon City’s CEO says the productivity plunge is fairly typical for studios in the country, and cites lagging technical infrastructure as a root cause.
Are you ready for the Stan Lee Universe?