The Illusionist
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The Hollywood Reporter notes that the first footage from Sylvain Chomet’s The Illusionist will debut this month at Cannes. The hand-drawn and CG feature, scheduled for release in the UK and France in 2009, is budgeted at $22 million, quite a bit heftier than Chomet’s earlier Triplets of Belleville which had a modest budget of $8 million. The story of the film, based on an unproduced script by French comic legend Jacques Tati, is described by the Reporter as the tale “of a dying breed of stage entertainer whose thunder is being stolen by emerging rock stars. Forced to accept increasingly obscure assignments in fringe theaters, garden parties and bars, he meets a young fan who changes his life forever.”

Speaking of Chomet, here’s an oldie but goodie: an article he wrote for the NY Times in 2004 about his time working at Disney, as well as the general lack of personal vision in contemporary animated features. The experience he describes of working at Disney Toronto is sadly one that is repeated far too frequently throughout the industry. Chomet writes:

“Once, my team in Canada was sent to Los Angeles to meet the people in charge of our project there. By this time we were on the sixth rewrite of the script, and we had a daylong brainstorming session in which we were locked in a big room with executives and so-called creatives. One executive suggested a rewrite incorporating an idea she had in the car that morning. Heads nodded, notes were scribbled and script No. 7 was born. It was like watching a runaway steam train being driven by a flock of headless chickens.”

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