Lucifer, the co-creator of the world (according to his statement) tests Adam and puts him to sleep to see his destiny through the ages. The trip is interesting, visually stimulating (but never pretty), and relentlessly repeating. Not a single note of happiness or laughter enters The Tragedy of Man, which proceeds from the Garden of Eden to Egypt and then to classical Greece, Rome, Christianity and beyond…The choice of the stories to tell is varied and remarkable. Along with the usual historical suspects (Danton and the French Revolution, Hitler and Stalin), the Miltiades story from Greece (a general who becomes a traitor), and the Tancred and Crusades segment–along with the battles on the Filioque–are a treat to watch in this context.
Jankovics’ work is always a unique visual experience, and one expects this to be no different. Aeon Flux creator Peter Chung described Jankovics’ style best when he wrote that Jankovics can “make the movement a primary aspect of the design. Every element–character & setting, foreground & background, color & shape, is integrated into a total composition in motion. It approaches the idea of animation as a visual equivalent to music, with analogs to melody, rhythm and harmony working in a non-literal evocation of ideas and feelings.”
Below are a few stills from The Tragedy of Man: