Making Bread With Alex Boya: How The Canadian Artist Is Worldbuilding In Reverse With ‘The Mill’
Using Giphy, Boya is baking up an expanded universe called ‘The Mill’ to generate interest in a short film and/or series.
Using Giphy, Boya is baking up an expanded universe called ‘The Mill’ to generate interest in a short film and/or series.
In a wide-ranging interview, ‘Victor and Valentino’ creator Diego Molano remains upbeat about the future of his series.
To strike a balance between comedy, horror, and drama, the show’s creators worked hard to keep the series grounds.
Hulsing discusses how he got the gig, working without a character designer, and why 30 naked people sang to him on his 50th birthday.
‘Luck’ director Peggy Holmes discusses the process of creating and developing Skydance Animation’s first animated feature.
Talking Editing With ‘Making The Cut At Pixar’ Authors Bill Kinder And Bobbie O’Steen.
Founder Kris Wimberly discusses the new studio, meant to be a gateway into the industry for artists from marginalized communities.
Director Chris Williams discuss the cinematic influences behind The Sea Beast, and how working on Moana prepped him for this film.
Watch the directing duo of Lilo & Stitch reminisce about the creation, development, production, and enduring legacy of the Disney classic.
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson sat down with Cartoon Brew’s Kambole Campbell to discuss the Spidey sequel.
Former Annecy winner Alberto Vázquez uses teddy bears and unicorns to deliver his colorful, vulgar, and hilarious anti-war allegory.
A look at how Lei Lei combined his own ancestry with photos picked up at flea markets to tell a timeless story about family.
“We have so much ability to love, but our ability to hate comes from the same place,” Baumane learned while researching the film.
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
Nick recruited independent artists from around the world to create music videos for classic kids songs which appear in the show.
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks’s The Bad Guys.
Awards season comes to a close this weekend with the Oscars, which makes it an ideal time to review some of our key coverage of this year’s Oscar-nominated features and shorts.
“Encanto” could have easily become a Mirabel and Bruno buddy story, but “from the beginning we knew we didn’t want to fall into that trope,” explained Byron Howard.
Jansen’s masterful integration of archival footage, audio recording, and animation was key to the success of three-time Oscar-nominated “Flee.”