Interview: Richard Williams Talks About His Oscar and BAFTA-Nominated Short ‘Prologue’
“Prologue,” he says, “is the only thing so far in my career that I’ve ever been really been pleased with.”
“Prologue,” he says, “is the only thing so far in my career that I’ve ever been really been pleased with.”
Lepore spoke with Cartoon Brew about the tactile wonder of stop-motion, gender and merit in animation, and why guest-directing ‘Adventure Time’ is a resume-stuffer that’s hard to beat.
Cartoon Brew speaks with the Brothers Quay about Christopher Nolan’s documentary, their exhaustive Blu-ray collection, and the challenges of finding funding for new projects.
One of the most original voices in contemporary stop motion talks about his work with us.
Executive producer Brendan Hay talks about how to play imminent demise for laughs in the new Netflix series ‘Dawn of the Croods.’
We spoke with Allers about awards season, women in animation, and why we still don’t see enough anthology animation at the multiplex.
We spoke with Martino about merging the worlds of 2D and 3D animation, and why a Charlie Brown who is actually recognized and praised isn’t much of a stretch for Schulz.
The outspoken animation legend speaks with Cartoon Brew about his new film “The Last Days of Coney Island” and other topics.
One of only two female directors currently at Disney Television Animation, Aliki Theofilopoulos speaks frankly about the ups and downs of her career in the animation industry.
The former Disney animator speaks about the challenges of creating an international co-production spanning more than a half-dozen countries, numerous visual styles, and almost a decade of production time.
Heading into its fifth weekend at the U.S. box office, Genndy Tartakovsky’s Hotel Transylvania 2 has proven to be a crowd-pleaser in both …
Artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.
Tensions build to an explosive breaking point for a group of automobile drivers in Nate Theis’ satirical new short “Driving.”
“The car is a tool of freedom, but it’s also destroying the planet,” says Claude Cloutier about the subject matter of his new animated short.
Yonebayashi’s second feature “When Marnie Was There” arrives on Blu-ray next week.
“The Iron Giant: Signature Edition,” director Brad Bird’s remastered masterpiece of war, peace, and paranoia, returns to theaters this Wednesday and Sunday, with new scenes courtesy of Duncan Studio.
In a wide-ranging conversation, Genndy Tartakovsky talks to Cartoon Brew about the challenges of making “Hotel Transylvania 2” and what he’s trying to do next.
What is life like after receiving an Oscar nomination? Dutch filmmakers Job, Joris & Marieke share their experiences.
The Montreal-based animator is accruing recognition for animated films that make audiences think and feel across geographical boundaries.
The director of Mexico’s leading animation conference speaks with “Cartoon Brew” about the future of Mexican animation.